安德烈亞·曼特尼亞
雕塑感透視與宏偉人物
安德烈亞·曼特尼亞是一位義大利畫家，羅馬考古學的學生，也是雅各布·貝利尼的女婿。 與同時代的其他藝術家一樣，曼特尼亞也嘗試運用透視法，例如透過降低地平線來營造更為宏偉的氣勢。他筆下堅硬如燧石、帶有金屬質感的風景以及略顯石雕般的人物，證明其繪畫本質上具有雕塑般的特質。他還主持了一個工作室，該工作室在1500年之前是威尼斯最主要的版畫製作中心。
Relationship Network
Master student
- Bartolomeo Montagna Student
- Bernardo Parentino Student
Fellow student
Influenced by
Influenced
Spouse
Artworks by this artist (45 total)
- The Entombment of Christ 16th century
- The Presentation circa 1454
- Virgin and Child 1490
- Julius Caesar in his horse-drawn chariot 1599
- The Holy Family between 1495 and 1500
- Judith with the Head of Holofernes c.1495-1500
- Two Standing Male Figures 1456
- Cardinal Ludovico Scarampi Mezzarota called Ludovico Trevisano circa 1459
- Gravlæggelsen
- Madonna and Child with Seraphim and Cherubim ca. 1454
- Bacchanal with a Wine Vat (c. 1475) 2
- The Holy Family with Saint Mary Magdalen ca. 1495-1500
- Saint Christopher c.1500
- A Triumphal Chariot 1599
- Procession of Musicians and others holding standards 1599
- Bacchanal with a Wine Vat c. 1475
- Men Carrying Trophies 1599
- The Madonna And Child With Saints Joseph, Elizabeth, And John The Baptist c. 1485-88
- Bakkanal med Silén
- Havgudernes kamp, højre halvdel