Edmund Blair Leighton
Romanticized medieval and Regency historical scenes
Edmund Blair Leighton ROI was a painter of historical genre scenes, specialising in Regency and medieval subjects. Leighton was the son of the artist Charles Blair Leighton (1823–1855) and Caroline Leighton (née Boosey). He was educated at University College School, leaving at 15 to work for a tea merchant. Wishing to study art, he went to evening classes in South Kensington and then to Heatherley's School in Newman Street, London. Aged 21, he entered the Royal Academy Schools. Among his first commissions were monochrome illustrations for Cassell's Magazine and its Book of British Ballads. His first painting to be exhibited at the Royal Academy was A Flaw in the Title in 1874; it sold for £200. He soon gave up "black and white" illustrations, working for the rest of his career in oil on canvas. He married Katherine Nash in 1885; they had a son, the painter E. J. Blair Leighton, and a daughter. He exhibited annually at the Royal Academy until 1920. Leighton was a fastidious craftsman, producing highly finished, decorative historical paintings. These were romanticised scenes, often of chivalry and women in medieval dress with a popular appeal. It would appear that he left no diaries, and though he exhibited at the Royal Academy for over forty years, he was never an Academician or an Associate.
Artworks by this artist (36 total)
- My next door neighbour 1894
- The Shadow
- Qui M’aime Me Suit (Who Loves Me Follows Me) 1891
- Le billet doux 1915
- The Ferry
- The Trysting Place 1901
- The Appointed Time 1890
- Straying Thoughts 1913
- Stitching The Standard 1911
- Conquest 1884
- God Speed 1900
- Return of the Viking raiding party
- In Time Of Peril
- Tristram and Isolde
- Ribbons And Laces For Very Pretty Faces 1902
- The Elopement 1893
- The blind man at the Pool of Siloam 1879
- ‘What shall I say’ 1889
- My Lady’s Garden 1905
- A Favour 1898