埃尔科莱·巴齐卡卢瓦
巴洛克军事题材版画家
埃尔科莱·巴齐卡卢瓦（Ercole Bazzicaluva），也拼作Bezzicaluva或Bazzicaluve，是巴洛克时期的一位意大利版画家。 He was born in Pisa. He was active in Florence from the first half of the 17th century. Dedicating his series of "few and fake countries" to the Grand Duke of Tuscany on Oct. 24th 1638, Bazzicaluva declared himself being originated “of Pisa"; but then, in the margins of the first of some military episodes of 1641, he is called "Florentine" (perhaps due to the fact that Pisa was part, for more than a century, of the State of Florence)As for his birth year, no one has ever succeeded in establishing it exactly, nor can we accept, even as an approximate one, the date of 1600 proposed by De Boni, because in 1638 he presented his engravings to the Grand Duke Ferdinando II of Tuscany. He defined them as "young first fruits", which "like unripe fruits wait to mature": what he would certainly not have said if he had already been 38 years old. It is more likely that he was born around 1610, that is almost at the same time as Della Bella, with whom he shared the school and in a certain sense the style. 他在作品上署名为Bazzicaluva（即使只有一个z）或Bezzicaluve；但这个姓氏，已经作为绰号使用，在他的家族中是相当近期的，因为他的祖先被称为 1641年，即在巴齐卡卢瓦献给大公的那部 除了是一名雕刻师外，巴齐卡卢瓦还担任大公的野战大师、因斯布鲁克的宫廷侍从长、里窝那要塞的要塞司令以及锡耶那要塞的总督。 1641年的四个军事场景恰好包括：两次骑兵冲锋、一场海战、一次骑兵行军，而在最早的"虚构国家"中，甚至还有追逐奔马和匪徒袭击的场景。 Bazzicaluva earned the praise of another powerful man of his time, Alessandro Visconti, who, by family tradition and personal inclination, fancied hunting, and he dedicated a series of "hunts" to him: the Departure, the Return, the Wild Boar Hunt, the Navigable River, the Stop, as well as the Appointment, a Landscape in a round frame and a Strange Entrance to the Monastery. 他是吉罗拉莫·帕里吉的学生，并成为里窝那城堡的城主。巴奇描述了他的七幅版画，布鲁利奥特则描述了其他作品。他的作品包括《凯旋游行》和十二幅风景画。他被视为斯特凡诺·德拉·贝拉和雅克·卡洛风格的追随者。他为佩夏的圣斯蒂法诺与尼科劳教堂绘制了一幅布面油画。