フリードリヒ・ブレンテル
軽妙なエッチングと細密画
Friedrich Brentel, a German printmaker in engraving and etching, and miniature painter, was born at Lauingen in 1580, and became a citizen of Strasbourg in 1601. His principal work is a set of plates for 'The Funeral of Charles III, Duke of Lorraine,' and the Royal entry of his son as the new duke, published at Nancy in 1611. They are from the designs of Claude de La Ruelle and Jean La Hire, and are etched in a slight, spirited manner. One plate has a single horse and rider, out of a large group in a procession, done in a very different style, which is thought to be the first venture into etching of the Nancy court painter Jacques Bellange, now known mainly for his prints. Other noticeable plates of his are a 'View of the large Hall at Stuttgart' (1619), and 'John Frederick I., Elector of Saxony ' (1609). He died in Strasbourg in 1651. ブレンテルの版画は非常に軽いタッチでエッチングされており、彼のモノグラムは歴史的題材と豊かな縁取りで装飾された一連の風景画に見られ、1617年および1619年の日付が記されている。これらの縁取りには、風景や人物を含まない試刷りが存在する。
Relationship Network
Master student
- Johann Wilhelm Baur Student
- Sebastian Stoskopff Student
Artworks by this artist (18 total)
- Bildnis Georg II. Herr von Fleckenstein, Kniestück 1632
- Bildnis Anna Maria Gräfin von Solms, in ganzer Figur 1629
- Bildnis Ester Gräfin von Leiningen-Westerburg
- Bildnis Georg Friedrich Herr zu Rappoltstein, als Dudelsackpfeifer (Pfeiferkönig)@Figurative
- Jakob Herr zu Hohengeroldseck und Sulz 1629
- The Tower of Babel
- Anna Maria Gräfin von Solms, den Tod ihres Gatten betrauernd 1635
- The Ball 1634
- Albert Otto II. Graf von Solms-Rödelheim
- Elisabeth Herrin zu Hohengeroldseck und Sulz 1629
- Friedrich Graf von Solms auf dem Totenbett 1635
- Friedrich Graf von Solms-Rödelheim in ganzer Figur 1629
- The Crucifixion 1627
- Dorothea Diana Frau zu Rappoltstein 1637
- The age of bronze
- Emblematische Darstellung, Allegorie auf die Beständigkeit des christlichen Glaubens
- Turmbau zu Babel 1610
- Philipp Ludwig zu Rappoltstein auf dem Totenbett 1637