프리드리히 브렌텔
가벼운 에칭과 미니어처
Friedrich Brentel, a German printmaker in engraving and etching, and miniature painter, was born at Lauingen in 1580, and became a citizen of Strasbourg in 1601. His principal work is a set of plates for 'The Funeral of Charles III, Duke of Lorraine,' and the Royal entry of his son as the new duke, published at Nancy in 1611. They are from the designs of Claude de La Ruelle and Jean La Hire, and are etched in a slight, spirited manner. One plate has a single horse and rider, out of a large group in a procession, done in a very different style, which is thought to be the first venture into etching of the Nancy court painter Jacques Bellange, now known mainly for his prints. Other noticeable plates of his are a 'View of the large Hall at Stuttgart' (1619), and 'John Frederick I., Elector of Saxony ' (1609). He died in Strasbourg in 1651. 브렌텔의 판화는 매우 가벼운 점으로 에칭되어 있으며, 그의 모노그램은 역사적 주제와 풍부한 테두리로 장식된 일련의 풍경화에 발견되며 1617년과 1619년 날짜가 기재되어 있다. 이러한 테두리에는 풍경과 인물이 없는 시험 인쇄본이 존재한다.
Relationship Network
Master student
- Johann Wilhelm Baur Student
- Sebastian Stoskopff Student
Artworks by this artist (18 total)
- Bildnis Georg II. Herr von Fleckenstein, Kniestück 1632
- Bildnis Anna Maria Gräfin von Solms, in ganzer Figur 1629
- Bildnis Ester Gräfin von Leiningen-Westerburg
- Bildnis Georg Friedrich Herr zu Rappoltstein, als Dudelsackpfeifer (Pfeiferkönig)@Figurative
- Jakob Herr zu Hohengeroldseck und Sulz 1629
- The Tower of Babel
- Anna Maria Gräfin von Solms, den Tod ihres Gatten betrauernd 1635
- The Ball 1634
- Albert Otto II. Graf von Solms-Rödelheim
- Elisabeth Herrin zu Hohengeroldseck und Sulz 1629
- Friedrich Graf von Solms auf dem Totenbett 1635
- Friedrich Graf von Solms-Rödelheim in ganzer Figur 1629
- The Crucifixion 1627
- Dorothea Diana Frau zu Rappoltstein 1637
- The age of bronze
- Emblematische Darstellung, Allegorie auf die Beständigkeit des christlichen Glaubens
- Turmbau zu Babel 1610
- Philipp Ludwig zu Rappoltstein auf dem Totenbett 1637