弗里德里希·布倫特爾
輕盈蝕刻與微型畫
Friedrich Brentel, a German printmaker in engraving and etching, and miniature painter, was born at Lauingen in 1580, and became a citizen of Strasbourg in 1601. His principal work is a set of plates for 'The Funeral of Charles III, Duke of Lorraine,' and the Royal entry of his son as the new duke, published at Nancy in 1611. They are from the designs of Claude de La Ruelle and Jean La Hire, and are etched in a slight, spirited manner. One plate has a single horse and rider, out of a large group in a procession, done in a very different style, which is thought to be the first venture into etching of the Nancy court painter Jacques Bellange, now known mainly for his prints. Other noticeable plates of his are a 'View of the large Hall at Stuttgart' (1619), and 'John Frederick I., Elector of Saxony ' (1609). He died in Strasbourg in 1651. 布倫特爾的版畫以極輕的針法蝕刻而成;他的花押字出現在一系列飾有歷史題材和豐富邊框的風景畫上,並標有1617年和1619年的日期。這些邊框存在不含風景和人物的試印版。
Relationship Network
Master student
- Johann Wilhelm Baur Student
- Sebastian Stoskopff Student
Artworks by this artist (18 total)
- Bildnis Georg Friedrich Herr zu Rappoltstein, als Dudelsackpfeifer (Pfeiferkönig)@Figurative
- Turmbau zu Babel 1610
- Bildnis Georg II. Herr von Fleckenstein, Kniestück 1632
- The Ball 1634
- Anna Maria Gräfin von Solms, den Tod ihres Gatten betrauernd 1635
- The Crucifixion 1627
- Albert Otto II. Graf von Solms-Rödelheim
- Elisabeth Herrin zu Hohengeroldseck und Sulz 1629
- The Tower of Babel
- Dorothea Diana Frau zu Rappoltstein 1637
- Bildnis Anna Maria Gräfin von Solms, in ganzer Figur 1629
- The age of bronze
- Emblematische Darstellung, Allegorie auf die Beständigkeit des christlichen Glaubens
- Philipp Ludwig zu Rappoltstein auf dem Totenbett 1637
- Friedrich Graf von Solms auf dem Totenbett 1635
- Friedrich Graf von Solms-Rödelheim in ganzer Figur 1629
- Jakob Herr zu Hohengeroldseck und Sulz 1629
- Bildnis Ester Gräfin von Leiningen-Westerburg