Jean-Baptiste Le Prince
Pioneered aquatint and realistic Russian scenes
Jean-Baptiste Le Prince was an important French etcher and painter. Le Prince first studied painting techniques in his native Metz. He then travelled to Paris around 1750 and became a leading student of the great painter, François Boucher (1703–1770). Le Prince's early paintings in both theme and style are comparable to his master's rococo techniques. In 1758 Le Prince journeyed to Russia to work for Catherine the Great at the Imperial Palace, St. Petersburg. He remained in Russia for five years and also travelled extensively throughout Finland, Lithuania and even Siberia. When Le Prince returned to Paris in December, 1763, he brought with him an extensive collection of drawings which he employed as the basis for a number of fine paintings and etchings. J. B. Le Prince was elected a full member of the Académie de peinture et de sculpture in 1765. Le Prince's graphic art of Russia and its peoples is significant in that he based his compositions entirely upon his own designs, lending a much more realistic portrayal to his views than other eighteenth century contemporaries. He is also credited with being the first artist (in 1768) to introduce aquatint into his etched and engraved plates. He may even have been the inventor of aquatint, the tonal graphic art that would later be so skillfully used by such masters as Goya, Louis-Philibert Debucourt, Delacroix and Thomas
Relationship Network
Master student
- François Boucher Master
- Jean-Baptiste Hilaire Student
- Jean-Baptiste Huet Student
- Louis-François Cassas Student
Parent child
- Jean-Baptiste Charpentier Parent
- Louis-Joseph Le Lorrain Parent
Artworks by this artist (34 total)
- Kamchatkans Preparing Fish to be Dried 1769
- Landscape with Peasants Fording a Stream 1756
- Religieuse de l’Ordre de Saint Bazile en habit der Choeur before 1764
- The Russian Cradle 1764-1765
- The Tartar Camp
- The Musician 1769
- Portrait of a Russian ca 1765
- Tambour de Strelits
- Anlandende Schiffe, am Ufer lagernde Männer ca 1759-1769
- De vinding van Mozes 1744 - 1781
- Portrait of an Oriental ca 1769
- The cradle 1769
- Seated Kalmuck Warrior ca. 1760
- Maternal Solicitude 1777
- Le péage à bateau dans un paysage orientaliste
- Unter dem Bogen einer antiken Steinbrücke bei Tusculum 1762
- Wandering people in the open 1777
- Shepherds in a Landscape before a Fortified Town 1777
- The Moscow Tavern (Le Cabaret de Moskou) 1773
- Rural Recreation 1769