Joseph Rose Lemercier
Pioneered industrial photolithography printing
Joseph-Rose Lemercier was one of the most important Parisian printer-lithographers of the 19th century. He worked for the greatest publishers and artists of his time. He played an important role in the spread and generalization of the photolithography process, which enabled photographic images to be transferred to a lithographic stone for printing with printing ink. Of modest origins, the son of a Parisian basket-maker, he was born in Paris on July 6, 1803 and died on January 1, 1887. In 1824, he married Marguerite Drancy, from whom he had two children who died in infancy. He apprenticed with Édouard Knecht, nephew and successor of Aloys Senefelder, the inventor of lithography. He set up on his own in 1828; in 1831, he moved to 57, rue de Seine, in a former jeu de paume. By 1852, Lemercier et Cie owned 80 presses and employed 180 workers. Between 1852 and 1855, he joined forces with optician Lerebours, chemist Barreswil and chemist and photographer Alphonse Davanne to develop a new process, but the result - too long and complex to implement - was not industrially viable. In 1855, Alphonse Poitevin invented and patented a process that could be used industrially. Poitevin initially sought to exploit his patent himself, and opened a workshop in Paris. But in October 1857, he sold his patent and workshop to Lemercier. Lemercier worked for all the major French publishers of his time. He was the printer for artists such as Odilon Redon, Édouard Manet and Alphonse Mucha. Joseph-Rose Lemercier was made a chevalier of the Légion d'honneur in 1847, then promoted to officer in 1878. Between 1876 and 1885, he chaired the Chambre des imprimeurs lithographes de Paris. His nephew, Alfred Lemercier, succeeded him at the head of the company, then inherited it on his death.
Artworks by this artist (155 total)
- Email peint, Triptique, l’Annonciation 1859-1864
- Vase de Cristal de roche, donné par Suger au trésor de St. Denis 1859-1864
- Vase d’ivoire sculpté 1859-1864
- L’Annonciation tirée d’un Ms du XVe Siècle 1859-1864
- La Crucifixion 1859-1864
- Le couronnement de la Vierge 1859-1864
- Orfévrerie et sculpture en ivoire 1859-1864
- Couverture d’un évangéliaire de la cathédrale de Monza 1859-1864
- Faïence hispano, arabe 1859-1864
- Spécimen de diverses sortes d’émaux champlevés 1859-1864
- Coupe et son plateau en corne de Rhinocéros montés en or emaillé avec pierres fines 1859-1864
- Email champlevé, Un Apôtre 1859-1864
- Autel d’argent de Saint Jacques à Pistoia 1859-1864
- Coupe en Lapis-Lazuli, montée en or émaillé avec rubis 1859-1864
- Feuille de Diptyque – Travail Byzantin 1859-1864
- Miniatures tirées du Psautier de St. Louis 1859-1864
- Chasse de Limoges à figures en relief 1859-1864
- Diptyque – Travail Français 1859-1864
- Rafaël – École Italienne 1850
- 1 Fibule Gallo-Romaine – 2 à 6. Bijoux des Barbares – 7 à 9 Bijoux Gallo-Romaine 1859-1864