Keisai Eisen
Depicted worldly beauties with sensual realism
Keisai Eisen was a Japanese ukiyo-e artist who specialised in bijin-ga (pictures of beautiful women). His best works, including his ōkubi-e ("large head pictures"), are considered to be masterpieces of the "decadent" Bunsei Era (1818–1830). He was also known as Ikeda Eisen, and wrote under the name of Ippitsuan. Eisen was born in Edo into the Ikeda family, the son of a noted calligrapher. He was apprenticed to Kanō Hakkeisai, from whom he took the name Keisai, and after the death of his father he studied under Kikugawa Eizan. His initial works reflected the influence of his mentor, but he soon developed his own style. He produced a number of surimono (prints that were privately issued), erotic prints, and landscapes, including The Sixty-nine Stations of the Kiso Kaidō, which he started and which was completed by Hiroshige. However, his most famous works are the bijin-ga (pictures of beautiful women) which portrayed the subjects as more worldly than those depicted by earlier artists, replacing their grace and elegance with a less studied sensuality. He produced many portraits and full-length studies depicting the fashions of the time. In addition to producing a prolific number of prints, he was a writer, producing biographies of the Forty-seven Ronin and several books, including a continuation of the Ukiyo-e Ruiko (History of Prints of the Floating World), a book which documented the lives of the ukiyo-e artists. His supplement is known as "Notes of a Nameless Old Man." He describes himself as a dissolute hard-drinker and claims to have been the owner of a brothel in Nezu in the 1830s which had burned down.
Artworks by this artist (29 total)
- Kiichi hōgen to oumaya kisanta 1829
- Sanpoukazari to otafuku no men 1820
- Fuji no hachiuei 1818
- Nihonzutsumi no rakugan tamaya uchi Tamagushi 1818
- Kaga no Chiyojo 1844
- Woman in Checked Kimono 19th century
- Summer 19th century
- Hanashobu ni nadeshiko 1818
- Ageo shuku kamo no yashiro 1835
- Courtesan early to mid-1800s
- Batta 1830
- Kyaku no haori o motsu yūjo 1818
- Ukiyo bijin mitate sankyoku 1820
- Kayoikomachi no mitate 1818
- Mimeguri no hanami 1818
- Uryō tōgen 1830
- Fumi o motsu onna 1825
- Ryōgokubashi no sekisho 1844
- Nakanochō no hana 1818
- Chōchi o motsu onna 1818