小林清親
明治近代化最後の浮世絵師
小林清親は日本の浮世絵師で、浮世絵の彩色木版画と新聞挿絵で最も知られています。彼の作品は、明治時代（1868–1912）に日本が経験した急速な近代化と西洋化を記録しており、西洋美術の技法に着想を得た明暗法「光線画」[ja]を用いています。 彼の作品は、明治維新後に大量に出現した赤レンガ造りの建物や列車を描いた版画で、1870年代に初めて観衆を獲得した；1894年から1895年の日清戦争を描いた版画も人気があった。この時期、木版画は人気が衰え、多くの収集家は小林の作品を浮世絵の最後の重要な例と考えている。
Artworks by this artist (120 total)
- Great Fire at Ryōgoku Sketched from Hamachō 1881
- Itsukushima Shrine 1897
- The Hakone Shrine In The Snow 1880 - 1882
- Great Fire at Ryōgoku Sketched from Hamachō, January 26, 1881 1881
- The Tarō Inari Shrine in the Asakusa Ricefields 1877
- Cats and Canvas circa 1879-1881
- Fireworks At Ikenohata 1881
- Monkey Bridge 1896
- The Honorable Defeated General, from the Series ‘Long Live Japan! One Hundred Selections, One Hundred Laughs’ 1894
- A Shock for Chanchan, from the Series, from the Series ‘Long Live Japan! One Hundred Selections, One Hundred Laughs’ 1894
- Lieutenant-General Yamaji; Leading the Japanese Second Army during Its Landing on the Jinzhou Peninsula 1894
- Naval Commander Hirose Takeo 1904
- The Use of Electricity during the Attack on Pyeongyang 1894
- Inner Valley at Tsukigase 1897
- Engineer Lieutenant Onoguchi Tokuji, from the Series ‘Mirror of Famous Army and Navy Men’ 1895
- Matsushima 1896
- Great Fierce Battle in the Snow near Niuzhuang 2 1895
- The Taro Inari Shrine In The Rice Fields At Asakusa 1877 - 1882
- A Scouting Party of the Japanese Army Observing the Movements of Russian Cossack Soldiers across the Daedong River 190
- Bombarding the Enemy Camp as Our Second Army Lands at Jinzhou Fortress 1894