小林清親
明治現代化最後的浮世繪大師
小林清親是日本浮世繪藝術家，以其浮世繪彩色木版畫和報紙插圖而聞名。他的作品記錄了日本在明治時期（1868–1912）經歷的快速現代化和西方化進程，並運用了受西方藝術技法啟發的明暗對比法「光線畫」[ja]。 他的作品在19世紀70年代首次找到受眾，當時以紅磚建築和火車為主題的版畫在明治維新後大量湧現；他關於1894年至1895年甲午戰爭的版畫也很受歡迎。這一時期木版畫逐漸失寵，許多收藏家認為小林的作品是浮世繪最後的重要代表。
Artworks by this artist (120 total)
- Night on the Sumida River 1881
- Great Victory of Our Forces in the Yellow Sea; Number Four 1894
- Bombarding the Enemy Camp as Our Second Army Lands at Jinzhou Fortress 1894
- Fireworks At Ikenohata 1881
- Grand Sumo Tournament of the Two Nations, from the Series ‘Long Live Japan! One Hundred Selections, One Hundred Laughs’ 1904
- Hurrah for the Great Empire of Japan; The First Army Captures Fenghuangcheng 1894
- Mount Yoshino, Cherry Blossoms 1897
- The Dancer Hotoke Gozen at Giōji 1897
- Tsukuba Mountain Seen from Sakura River at Hitachi 1897
- Our Navy Sinking a Chinese Warship in the Yellow Sea 1894
- View of Fuji from the Coast of Kiyomigata 1896
- Persimmons and White-Eyes 1880
- View of Rainfall on Shin-Ou-hashi in To-kei 1876
- Koganei, Cherry Blossoms 1896
- Thunder and Lightning at Oumaya Bridge circa 1879
- Lieutenant-General Yamaji; Leading the Japanese Second Army during Its Landing on the Jinzhou Peninsula 1894
- Onoguchi Tokuji Blasting the Gates of Jinzhou Fortress 1895
- The Dangerous Tightrope Walk, from the Series ‘Long Live Japan! One Hundred Selections, One Hundred Laughs’ 1904
- The Truth about Korea 1882
- Voyage of the Old and Senile, from the Series ‘Magic Lantern of Society; One Hundred Selections, One Hundred Laughs’ 1896