Un design circulaire en perspective.

Related Artworks

• The cupola of the ninetieth figure, with its lights and shades Andrea Pozzo 1707
• The manner of making the net-work or squares, and painting the scenes of theaters. Andrea Pozzo 1707
• The attick base in perspective. Andrea Pozzo 1707
• The elevation of the forty-first figure in perspective. Andrea Pozzo 1707
• The perspective plans and upright of the Corinthian design foregoing. Andrea Pozzo 1707
• The Corinthian capital in perspective Andrea Pozzo 1707
• Another plan of a theater, with the method of finding the point of sight therein. Andrea Pozzo 1707
• A Corinthian column in horizontal perspective. Andrea Pozzo 1707
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• A Tuscan column in perspective. Andrea Pozzo 1707
• The geometrical plan of the church of S. Ignatius at Rome Andrea Pozzo 1707
• The horizontal projection of a shaded corbel. Andrea Pozzo 1707
• The perspective of the elevation of the sixty-eighth figure, and the fourth preparation to the seventy-first figure. Andrea Pozzo 1707
• The plan of an Ionick building. Andrea Pozzo 1707
• A Corinthian cornice. Andrea Pozzo 1707
• Elevation of the Ionick design in perspective. Andrea Pozzo 1707
• The Corinthian pedestal, with its pilasters, in perspectives. Andrea Pozzo 1707
• The plan of a design of the Corinthian order. Andrea Pozzo 1707
• A column in horizontal perspective. Andrea Pozzo 1707
• A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows. Andrea Pozzo 1707
• An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture. Andrea Pozzo 1707
• The plans of an octangular tabernacle. Andrea Pozzo 1707
• St. Augustine and the Child on the Seashore Andrea Pozzo 1642-1709
• Manner of delineating a square in perspective. Andrea Pozzo 1707
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