遠近法におけるドリス式の基部
Andrea Pozzo
1707
遠近法におけるドリス式の基部 by アンドレア・ポッツォ, 1707, Illustration, baroque
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An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture.
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1707
The Tuscan capital in perspective.
Andrea Pozzo
1707
Plans of squares, with their elevations.
Andrea Pozzo
1707
Rules and examples of perspective, proper for painters and architects, etc - Title Page
Andrea Pozzo
1707
Other preparations to the ninety-eighth and ninety-ninth figures
Andrea Pozzo
1707
The geometrical upright of the foregoing Ionick design.
Andrea Pozzo
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The plan of the fortieth figure in perspective.
Andrea Pozzo
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The elevation of the forty-first figure in perspective.
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1707
A column in horizontal perspective.
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1707
Corinthian pedestals in an horizontal perspective.
Andrea Pozzo
1707
A projection of the Dorick order in perspective.
Andrea Pozzo
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The geometrical plan of a design, of the Dorick order.
Andrea Pozzo
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Circles in perspective
Andrea Pozzo
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The Ionick capital in perspective.
Andrea Pozzo
1707
The geometrical plan, and first preparation to the seventy-first figure.
Andrea Pozzo
1707
A piece of Dorick architecture in perspective.
Andrea Pozzo
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Explication of the lines of the plan and horizon, and of the points of the eye and of the distance.
Andrea Pozzo
1707
Of scenes for the stage.
Andrea Pozzo
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Elevation of the Ionick design in perspective.
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The optical delineation of a square.
Andrea Pozzo
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A circular design in perspective.
Andrea Pozzo
1707
Preparatory to the thirty-ninth. [Outline and perspective lines.]
Andrea Pozzo
1707
Manner of delineating a square in perspective.
Andrea Pozzo
1707
The Tuscan base in perspective
Andrea Pozzo
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