Sie ; Die meisten Männer sind Helden….

Related Artworks

• The maiden and the mistletoe Charles Dana Gibson 1893-1900
• When My Ship Comes In Charles Dana Gibson
• Look before you leap Charles Dana Gibson 1900-1905
• Summer sports Charles Dana Gibson 1900-1905
• The real exhibit at the horse show Charles Dana Gibson 1896
• A Barrier Charles Dana Gibson 1897
• He; ‘Shall we talk or dance’ Charles Dana Gibson 1900-1905
• Seaside expressions Charles Dana Gibson 1900-1905
• She; ‘i know that you must have made love before to some other girl.’ Charles Dana Gibson 1900-1905
• A box party Charles Dana Gibson 1900-1905
• Americans Charles Dana Gibson 1893-1900
• In Paris – A Cafe Artist Charles Dana Gibson 1896
• In the Rue de la Paris Charles Dana Gibson 1893-1900
• Two’s company, three’s a crowd Charles Dana Gibson 1900-1905
• Fellow passengers Charles Dana Gibson 1900-1905
• When a man’s in love Charles Dana Gibson 1900-1905
• A Drawing Room Charles Dana Gibson 1897
• A Park Orator Charles Dana Gibson 1897
• America’s tribute Charles Dana Gibson 1896
• Is Your Wife Losing Charles Dana Gibson 1919
• One of the disadvantages of being in love with an athletic girl Charles Dana Gibson 1900-1905
• Reading the will Charles Dana Gibson 1893-1900
• Soldiers of Fortune written by Richard Harding Davis. Charles Scribner’s Son’s Charles Dana Gibson 1897
• The fortune teller Charles Dana Gibson 1896
• The Orrery Joseph Wright of Derby 1768
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• I stood like one thunderstruck, or as if I had seen an apparition N. C. Wyeth 1920
• Hamlet and Laertes fight in the grave (Act V, scene I Eugène Delacroix 1864
• At the Moulin Rouge; La Goulue and Her Sister Henri de Toulouse-Lautrec 1892
• Shinagawa Katsushika Hokusai 1810
• Worse than slavery Thomas Nast 1874
• The Dead Man (Der tote Mann) Wilhelm Lehmbruck 1915
• Notes sur l’amour Pl 07 Pierre Bonnard 1922
• Shinshi-bari – Cloth-stretcher Kitagawa Utamaro 1793-1804
• The Girl He Left Behind Him Winslow Homer 1864
• Drohung Ferdinand Freiherr von Reznicek 1908
• Combing Their Hair Henri de Toulouse-Lautrec 1896
• Transmitting the Spirit and Revealing the Form of Things_ Hokusai's Sketchbooks, vol. 5b Katsushika Hokusai 1816
• Marcelle Lender and Eva Lavalliére in a Revue at the Variétés Henri de Toulouse-Lautrec 1895
• The Girl at the Window Edvard Munch 1894
• Beach Scene William James Glackens circa 1914
• Fork-tailed gull John James Audubon 1827-1838
• Purple sandpiper John James Audubon 1827-1838
• Highland Cattle Rosa Bonheur 1876
• Man with a Scythe Winslow Homer ca 1869
• Horse and rider on the Scottish highlands (The approaching storm) Rosa Bonheur
• Table Glass Emilio Zito c. 1940
• Brown pelican, Pelecanus fuscus John James Audubon 1827-1838
• The Dark Fleece Dean Cornwell 1918
• The Letter Pierre-Auguste Renoir c. 1895-1900
• Argwohn Ferdinand Freiherr von Reznicek 1908
• The Kiss Gustav Klimt 1907-1908
• Miranda; ‘Sweet Lord, you play me false’ Ferdinand ‘No my dearest love I would not for the world’ [The Tempest] act V, sc. 1 Walter Crane 1893
• Girl on a swing, a man with his arms raised Francisco de Goya 1795-1797
• Le Nuit et le Moment Pl.5 Louis Icart 1946
• A Couple in the Parlor Harrison Fisher 1897
• Doctor Convex and Lady Concave Thomas Rowlandson 1802
• Voilà un gros Loulou qui vient passer toute la journée avec sa biche. Mais comment qu’il fait donc, cet homme-là, pour Paul Gavarni 184
• Pas moyen C’est une femme invisible à l’oeil nu Paul Gavarni
• Payes-tu cher à l’hôtel Paul Gavarni 1840-1841
• Small girl Jakob Becker
• Gooseberry Jones Pl.4 Dudley Morris 1947