Duendes (Hobgoblins)

Related Artworks

• Self-Portrait Francisco de Goya
• A man with a raised whip breaking up a fight between two figures Francisco de Goya ca. 1812-20
• Aquellos polbos. (Those specks of dust.) Francisco de Goya 1796-1797
• Young Woman Wringing Her Hands over a Man’s Naked Body (verso) Francisco de Goya 1796-97
• Monks in an interior Francisco de Goya ca. 1812-20
• Two brothers killing their sister’s lover in her presence Francisco de Goya 1796-1798
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• A woman giving a mug to an old man Francisco de Goya ca. 1812-20
• Friar Pedro Shoots El Maragato as His Horse Runs Off Francisco de Goya c. 1806
• A man stabbing another Francisco de Goya ca. 1812-20
• Está Umd. …pues, Como digo…eh! Cuidado! si no! (You understand…well, as I say…eh! Look out! otherwise…) Francisco de Goya 1796-1797
• Quien lo creyera! (Who would have thought it!) Francisco de Goya 1796-1797
• After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón]) Francisco de Goya ca. 1813-1820
• The Water Carrier Francisco de Goya
• Unos á otros. (What one does to another.) Francisco de Goya 1796-1797
• Where There’s a Will There’s a Way (A way of Flying) Francisco de Goya circa 1815 - 1824
• To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo]) Francisco de Goya ca. 1813-1820
• Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun Francisco de Goya c. 1806
• Estan calientes. (They are hot.) Francisco de Goya 1796-1797
• El Tres de Mayo Francisco de Goya 1814
• ‘God Save Us from Such a Bitter Fate’; a bandit threatening a woman and a child with a knife Francisco de Goya ca. 1812-20
• The Marquesa de Pontejos Francisco de Goya c. 1786
• Asta su Abuelo. (And so was his grandfather.) Francisco de Goya 1796-1797
• Beggar with a staff in his left hand Francisco de Goya ca. 1812-20
• The Crusades. – Entry of the French and Venetians into Constantinople. Eugène Delacroix 1204. Fourth Crusade
• Milton, a poem in 2 books Pl.20 William Blake 19th century
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Shono Utagawa Hiroshige ca. 1841-1842
• Breton Bathers (Baigneuses Bretonnes) Paul Gauguin 1889
• Tsukasa of Ōgiya Kitagawa Utamaro 1805
• The Alchemist Joseph Wright of Derby 1775
• Courtesan Hanaogi of the Ogiya House Kitagawa Utamaro 1793
• Fording a Broad River (19th century) 2 Utagawa Hiroshige
• Three Geisha Kitagawa Utamaro late 18th century - ca. 1806
• Plate 5, The Idle ‘Prentice Turned Away, and Sent to Sea William Hogarth 1747
• Kingyo – Goldfish Kitagawa Utamaro 1793-1804
• The Boy with soap bubbles Édouard Manet 1868-69
• Various Types of Torii Arch 2 Katsushika Hokusai 1816
• A Singer Edgar Degas 1877-78
• Uwaki no sô – The fancy-free type Kitagawa Utamaro 1793-1804
• The Course of Empire–The Savage State Thomas Cole ca. 1834
• Salisbury Cathedral from the Bishop’s Grounds John Constable ca. 1825
• Illustrations of the book of Job Pl.02 William Blake 1826
• Andrew Jackson Thomas Sully 1845
• Der Hagestolz Carl Spitzweg 1847 -1849
• James Hutton, 1726 – 1797. Geologist Sir Henry Raeburn
• Cotopaxi (1855) 2 Frederic Edwin Church
• Approach to Venice Joseph Mallord William Turner 1844
• Group of Witches Eugenio Lucas Velázquez from 1850 until 1860
• Beeld van de riviergod 2 Cornelis Pronk
• At the Zoo Max Beckmann 1917
• Le Silence Odilon Redon
• Mars och Minerva David Klöcker Ehrenstrahl
• The Hands Edvard Munch 1895
• Psyche and the ghost in Styx Sir Edward Coley Burne-Jones 1865
• Patientia (Allegory of Patience) Cornelis Saftleven 1660[-]1670
• Duendecitos. (Hobgoblins.) Francisco de Goya 1796-1797