Personnages se réveillant du sommeil

Related Artworks

• Saint Isabel of Portugal Healing the Wounds of a Sick Woman Francisco de Goya 1799
• Que pico de Oro! (What a golden beak!) Francisco de Goya 1796-1797
• Está Umd. …pues, Como digo…eh! Cuidado! si no! (You understand…well, as I say…eh! Look out! otherwise…) Francisco de Goya 1796-1797
• A man stabbing another Francisco de Goya ca. 1812-20
• Masquerading asses being whipped by a man Francisco de Goya ca. 1812-20
• Condesa de Altamira and Her Daughter, María Agustina Francisco de Goya 1787-88
• ‘Generosity versus Greed’, a woman and three men conducting a transaction inside a shop Francisco de Goya 1796-1798
• Pobrecitas! (Poor little girls!) Francisco de Goya 1796-1797
• Portrait of Don Ramón Satué Francisco de Goya 1823
• Qual la descañonan! (How they pluck her!) Francisco de Goya 1796-1797
• Seated Giant Francisco de Goya 1818
• Tiburcio Pérez y Cuervo (1785–1841), the Architect Francisco de Goya 1820
• A man and a woman riding a mule Francisco de Goya ca. 1812-20
• The Threshing Floor Francisco de Goya 1786-1787
• The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General]) Francisco de Goya ca. 1813-1820
• Rejoice, Carnival, for Tomorrow Thou Wilt Be Ashes [Carnival Folly] (Alegrias Antruejo, que Mañana Seras Ceniza [Disparate de Carnabal]) Francisco de Goya ca. 1813-1820
• Ya es hora. (It is time.) Francisco de Goya 1796-1797
• Monks in an interior Francisco de Goya ca. 1812-20
• Boy on a Ram Francisco de Goya 1786
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• Winter Scene Francisco de Goya c. 1786
• Lovers Sitting on a Rock Francisco de Goya 1796-97
• Mejor es holgar. (It is better to be lazy.) Francisco de Goya 1796-1797
• Lion couché la tête entre ses pattes Antoine-Louis Barye 19th century
• Saint John the Evangelist and an Angel El Greco 1600
• Zouave Winslow Homer 1864
• Danseuse assise Edgar Degas
• Trois danseuses Edgar Degas circa 1900
• Three Groups of Apostles in a Last Supper Peter Paul Rubens 1600-1604
• River Landscape with Boats Annibale Carracci c. 1590
• After the Bath, Woman Drying Her Hair Edgar Degas circa 1895
• Männlicher Unterleibstorso Egon Schiele 1910
• Sans titre Francis Picabia circa 1925-1929
• Free Smoke Thomas Nast
• Théâtre Italien (Gioacchino Rossini, 1792-1868) Eugène Delacroix 1821
• A Scene from Offenbach’s La Belle Hélène Henri de Toulouse-Lautrec 1900
• Verdict – all ‘guilty’ except Ronald Betso, 11;00 am, August 4, 1988 Joseph Papin 1988
• Gabrielle, Jean et une petite fille Pierre-Auguste Renoir 1895
• L’homme au chapeau Roger de La Fresnaye circa 1923
• Flatford Mill John Constable
• Blick auf Amalfi aus der Vorhalle des Doms Franz Ludwig Catel
• De rukwind Barend Cornelis Koekkoek 1845
• Maison de Paysan au Canton de Berne Franz Niklaus König
• The Mewstone, Devon Joseph Mallord William Turner
• The Bookworm Carl Spitzweg circa 1851
• Der Kopf des Kaufmanns aus Overbecks Verkauf Josefs für die Casa Bartholdy in Rom Eugen Eduard Schäffer 1817
• Quarries Near Montmartre François-Nicolas Chifflart 1865
• The samaritans Albert Sterner 1929
• Mijn wagen moet Liefde dragen Alfred Ost 1912
• Mephisto bei Gretchen im Zimmer Ferdinand Fellner ca 1835
• Study for ‘Death and Victory’ John Singer Sargent between 1921 and 1922
• The Yawners, plate 7 from the portfolio ‘Faces’ Max Beckmann 1918
• The Three Skulls Paul Cézanne 1902-1906
• Neptun flankeret af Vulkan og personifikationen af en by Jacopo Palma il Giovane
• Je t’adore a l’egal de la voute nocturne. O vase de tristesse, o grande taciturne Odilon Redon 1890
• Women in Landscape Eugène Carriere