Elas se arrumam. (Elas se enfeitam.)

Related Artworks

• Autumn Francisco de Goya 1786
• The Sabbath of witches Francisco de Goya 1797-98
• A woman talking to a priest in a covered archway Francisco de Goya ca. 1812-20
• Portrait of the Poet Moratín Francisco de Goya 1824
• There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados]) Francisco de Goya ca. 1813-1820
• ‘God Save Us from Such a Bitter Fate’; a bandit threatening a woman and a child with a knife Francisco de Goya ca. 1812-20
• A man and a woman riding a mule Francisco de Goya ca. 1812-20
• Chiton. (Hush.) Francisco de Goya 1796-1797
• Portrait of General José Manuel Romero Francisco de Goya c. 1810
• Self-portrait Francisco de Goya ca. 1796
• Tu que no puedes. (Thou who canst not.) Francisco de Goya 1796-1797
• Lo que puede un Sastre! (What a tailor can do!) Francisco de Goya 1796-1797
• Narcisa Barañana de Goicoechea Francisco de Goya
• Portrait of Martín Zapater Francisco de Goya 1797
• Rabbit hunter with a Retriever Francisco de Goya ca. 1812-20
• The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General]) Francisco de Goya ca. 1813-1820
• Aquellos polbos. (Those specks of dust.) Francisco de Goya 1796-1797
• Where There’s a Will There’s a Way [A Way of Flying] (Donde Hay Ganas Hay Maña [Modo de Volar]) Francisco de Goya ca. 1813-1820
• Beggar with a staff in his right hand Francisco de Goya ca. 1812-20
• They are Dying Francisco de Goya 1825-1828
• Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850) Francisco de Goya 1804
• Sopla. (Blow.) Francisco de Goya 1796-1797
• Manuel Osorio Manrique de Zuñiga (1784–1792) Francisco de Goya 1787-88
• The Charge of the Mamelukes Francisco de Goya 1814
• Domestic shaving Thomas Rowlandson 1786
• L’harmonie des couleurs Pl.039 Édouard Guichard 1880
• What to draw and how to draw it Pl.12 Edwin George Lutz 1913
• Venus and Mars Surprised by Vulcan Hendrick Goltzius 1585
• Germany, March 9, 1888 Sir John Tenniel 1888
• Fast day Thomas Rowlandson 1812
• The song of Los. Lambeth Pl.8 William Blake 1795
• Design for Ceiling of the Duchess of Newcastle’s Petit Salon, Hôtel Hope Jules-Edmond-Charles Lachaise 1867
• Fee-fi-fo-fum, I smell the blood of an Englishman Arthur Rackham 1927
• The fatted calf a prey to wild beasts Thomas Rowlandson 1803
• Maternité devant la mer Maurice Denis 1900
• Le petit Savoyard Gottfried Mind
• Scènes diverses, tirées des Séances de Hariry (XIIIe. siècle) Émile Prisse d'Avennes 1877
• Is a caddy always necessary Charles Dana Gibson 1893-1900
• ‘Blow, blow, little breeze, And Conrad’s hat seize.’ Arthur Rackham 1920
• The Tuileries Garden Édouard Vuillard 1896
• The Burning of the Houses of Lords and Commons, October 16, 1834 Joseph Mallord William Turner
• Lieutenant Colonel George Allan of the 16th Hussars, ‘The Hussar’ Sir Henry Raeburn
• Schafhirte mit seiner Herde am Heimweg Josef Thoma
• John Johnstone, Betty Johnstone and Miss Wedderburn Sir Henry Raeburn c. 1790-1795
• Landscape near the Baths of Caracalla, Rome Frederic Edwin Church 1869
• Old Tower at Avignon Samuel Colman c. 1875
• Albert, Nicolaas and Clara Serena, Children of Peter Paul Rubens Nicaise De Keyser
• Marklandskab med en bro Vilhelm Kyhn 1858
• Justice and Peace Daniel Huntington between ca. 1886 and 1891
• Et le mossieu d’hier Paul Gavarni
• cagnotte des hommes Georges Goursat (Sem) 1912
• The Day After Edvard Munch 1991
• Bilderbuch für Hagestolze Pl.024 Karel Klíč 1870s
• Les prétendants de Francia, par Gill André Gill 1875
• And the fool, he called her his lady fair Charles Dana Gibson 1917
• Conclusion, Plate 9 from the series ‘The Return of Eurydice, Three Cantos’ Max Beckmann 1909
• The Alchemist Cornelis Pietersz. Bega 1663