Meißelstahlschlüssel des 16. und 17. Jahrhunderts

Related Artworks

• Diptych in Carved Ivory representing the Adoration of the Magi and the Crucifixion John Charles Robinson 1858
• Silver-gilt Salver—Dutch or Flemish John Charles Robinson 1858
• Circular Pedestal in Old Wedgwood Cameo Ware John Charles Robinson 1858
• Indian Powder-Horn and Three Pieces of Matchlock Furniture John Charles Robinson 1858
• Lamp-Stand, in Gilt Bronze. Italian Cinque-Cento Work John Charles Robinson 1858
• Relievo in Carved Ivory—the Virgin and Infant Saviour adored by Angels. John Charles Robinson 1858
• Italian Cinque-cento Bronze Door-knockers John Charles Robinson 1858
• Brocade for Upholstery Work, and Wall Papers, in the Style of the Fifteenth Century John Charles Robinson 1858
• Chalice, in the Style of the Fifteenth Century, in Silver, Parcel Gilt and Enamelled John Charles Robinson 1858
• Cover of a German Prayer-Book in Silver Gilt John Charles Robinson 1858
• Casket in Oxydised Silver John Charles Robinson 1858
• Cameos in Old Wedgwood Ware John Charles Robinson 1858
• Indian Embroidered Satin Apron. John Charles Robinson 1858
• Indian Silk and Gold Tissues John Charles Robinson 1858
• Quiver and Indian Fan John Charles Robinson 1858
• Spice-Box in Silver Gilt, enriched with Translucent Enamels John Charles Robinson 1858
• Italian Cinque-cento Bronze Vase John Charles Robinson 1858
• Lid of a Casket in Carved Sandal-Wood John Charles Robinson 1858
• Rosewater Bottle, or Sprinkler, in Silver Gilt, and Enamelled John Charles Robinson 1858
• Chasse, or Reliquary, of the Fifteenth Century, in Carved and Gilded Wood John Charles Robinson 1858
• Sheet of Persian Designs for Textile Fabrics John Charles Robinson 1858
• Pendant Jewels in Gold, Enamelled, and Set with Precious Stones John Charles Robinson 1858
• Group in Terra-Cotta – Bacchanalian Subject John Charles Robinson 1858
• Hunting-Sword, with Hilt and Scabbard in Silver and Gilt Bronze John Charles Robinson 1858
• The Four Stages of Cruelty; The Reward of Cruelty (Anatomy Theatre) William Hogarth 1751
• Sankatsu Hanshichi no bosetsu – The maternal love of Sankatsu and Hanshichi Kitagawa Utamaro 1793-1804
• Venus and Cupid Lucas Cranach the Elder ca. 1525-27
• The Kitchen Carl Larsson
• Jeanne; Spring Édouard Manet 1882
• Saint Jerome in Penitence Lucas Cranach the Elder 1509
• An Iron Forge Joseph Wright of Derby 1773
• Milton, a poem in 2 books Pl.38 William Blake 19th century
• Enoshima Island (Figure on an ox, waves) Utagawa Hiroshige 19th century
• The Alchemist Joseph Wright of Derby 1775
• Milton, a poem in 2 books Pl.07 William Blake 19th century
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Hamlet and Polonius (Act II, scene ii) Eugène Delacroix 1864
• After the Bath Edgar Degas 1891-92
• Pl. 25 – The Little Black Boy William Blake 1789
• Various Types of Torii Arch Katsushika Hokusai 1816
• Polysiphonia atro-rubescens Anna Atkins 1843-1853
• Sporochnus rhizodes Anna Atkins 1843-1853
• Ulva crispa, A. Anna Atkins 1843-1853
• Polysiphonia violacea Anna Atkins 1843-1853
• Reptiles VIII Frederick McCoy 1885-1890
• Is Your Journey Really Necessary Bert Thomas
• Polysiphonia urceolata Anna Atkins 1843-1853
• Almanack for 1885 – Title Kate Greenaway 1885
• Foot Warmer Carl Buergerniss 1939
• Textile Stamp Charlotte Angus c. 1937
• Les principaux ornaments des tissus jusqu’au XIXme siècle Pl.21 Friedrich Fischbach 1902
• Piece of Handwoven Linen Daniel Fletcher c. 1937
• 7. Plafond du Tombeau D’amenemant (n° 58), 8. Plafond du Tombeau de Pehsoukehr (n° 88) Gustave Jéquier 1911
• Renaissance 10 Auguste Racinet 1880 - 1889
• Art treasures of the United Kingdom Pl.27 Robert Dudley 1858
• 42. Plafond du Tombeau D’amenemhat (n° 82), 43. Plafond du Tombeau de Hapousenb (n° 67) Gustave Jéquier 1911
• Doll Frances Lichten c. 1936
• Utility Chest Henry Tomaszewski 1937
• Rendezvous in the Palais Royal Gabriel de Saint-Aubin 1774
• Cradle Settee Frederick Jackson c. 1937
• Tin Milk Warmer Edward L. Loper c. 1938
• Young man in a Renaissance costume Hans Thoma before 1897