El Segador
El Segador by José Guadalupe Posada, Illustration, realism
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- Domestic shaving Thomas Rowlandson 1786
- L’harmonie des couleurs Pl.039 Édouard Guichard 1880
- What to draw and how to draw it Pl.12 Edwin George Lutz 1913
- Venus and Mars Surprised by Vulcan Hendrick Goltzius 1585
- Germany, March 9, 1888 Sir John Tenniel 1888
- Fast day Thomas Rowlandson 1812
- The song of Los. Lambeth Pl.8 William Blake 1795
- Design for Ceiling of the Duchess of Newcastle’s Petit Salon, Hôtel Hope Jules-Edmond-Charles Lachaise 1867
- Fee-fi-fo-fum, I smell the blood of an Englishman Arthur Rackham 1927
- The fatted calf a prey to wild beasts Thomas Rowlandson 1803
- Maternité devant la mer Maurice Denis 1900
- Le petit Savoyard Gottfried Mind
- Scènes diverses, tirées des Séances de Hariry (XIIIe. siècle) Émile Prisse d'Avennes 1877
- Is a caddy always necessary Charles Dana Gibson 1893-1900
- ‘Blow, blow, little breeze, And Conrad’s hat seize.’ Arthur Rackham 1920
- The Tuileries Garden Édouard Vuillard 1896
- White-winged silvery gull John James Audubon 1827-1838
- Village at the hillside Fritz Boehle
- Citrus sinensis Washington Navel Ellen Isham Schutt 1913
- Frau mit Kind auf dem Schoß Gustav Schraegle 1900
- Remember our dead heroes Thomas Nast
- Both Members of This Club George Wesley Bellows 1909
- Bird’s-Nesters Jean-François Millet
- The Return, Tynemouth Winslow Homer 1881
- Pegasus Departing Albert Pinkham Ryder by 1901
- A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant John Doyle 1847
- The Wing Odilon Redon 1893
- Plate 18; Cacasenno on horseback Giuseppe Maria Crespi 1705-1715
- Shaking him off Charles Jay Taylor 1894
- Le Monstre Vert (Apollon Chevauchant Le Serpent Python) Odilon Redon
- Pégase Odilon Redon
- And His Name That Sat on Him Was Death Odilon Redon 1899
- Boy catching a goat Jacob Gerritsz Cuyp
- Le monument ! Georges Hugo 1902
- A Youth Seated at a Table Jacob de Gheyn II ca. 1604
- Public characters Thomas Rowlandson 1801
- ‘Qualified Horses and Unqualified Riders;’ ‘Charging an Ox Fence with Good Success’ Henry Thomas Alken
- Réjane et Galipaux, dans Madame Sans-Gêne Henri de Toulouse-Lautrec 1894