Male nude lying on his stomach
after 1842
Male nude lying on his stomach by Józef Simmler, after 1842, Drawings, romanticism
Related Artworks
- Nude study for the figure of Patriarch Jacob in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ Józef Simmler 1864
- Szkice Hucułów Józef Simmler 1846
- Study of clothing of the executioner to the painting ‘Martyrdom of St. Matthias’ Józef Simmler 1866-1867
- Portrait of Mrs. Kruszewska née Komorowska Józef Simmler
- Nude studies of the Canon of Cracow, Piotr Wysz, and Jagiełło, and studies of hands of Jaśko of Tęczyn for the painting ‘Queen Jadwiga’s Oath’ Józef Simmler 1867
- Nude sketch to the executioner with an axe to the painting ‘Martyrdom of St. Matthias’ Józef Simmler 1866-1867
- Szkice puttów i draperii do plafonu ‘Pochód weselny Amora i Psyche’ Józef Simmler 1863
- Study of the figure to the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’ Józef Simmler 1850
- Fragment of the interior of St. Mark’s Church in Venice Józef Simmler 1856
- Studia rąk Katarzyny Jagiellonki, księcia Jana Finlandzkiego i strażnika do obrazu ‘Katarzyna Jagiellonka w więzieniu w Gripsholmie’ Józef Simmler 1858
- A shepherdess with a goat Józef Simmler 1860
- Sketch of nude men to the scene with Nicodemus and Joseph of Arimathea supporting the dead body of Christ to the painting ‘Entombment’ Józef Simmler 1850
- Sketch of the composition to the scene from the first act of the ‘Giselle’ ballet Józef Simmler 1855
- Study of robes of Jaśko of Tęczyn) for the painting ‘Queen’s Jadwiga’s Oath’ Józef Simmler 1867
- Koncert renesansowy (szkic kompozycji) Józef Simmler 1857
- Sketch for “Crucifixion” Józef Simmler 1868
- Sketch of head and studies of hands of Gniewosz of Dalewice; studies of Jagiełło’s hands for the painting ‘Queen Jadwiga’s Oath’ Józef Simmler 1867
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- Portrait of a man Józef Simmler 1856
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- Nude sketches of the figure of King Sigismund I and Hetman Tarnowski in the painting ‘The Upbringing of Sigismund Augustus’ Józef Simmler 1861
- Study of Mary’s robes for the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ Józef Simmler 1864
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- Mann in grünem Rock mit einem Säbel Jakob Fürchtegott Dielmann
- Étude pour ‘Le Recueillement’ Pierre Puvis de Chavannes 1867
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- A Scene from Offenbach’s La Belle Hélène Henri de Toulouse-Lautrec 1900
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- A son is promised to Abraham Julius Schnorr Von Carolsfeld 1856
- Der Knabe und das Mädchen Franz Niklaus König 1798
- The Punishment of the Hooks Alexandre-Gabriel Decamps 1837
- Lac Majeur, Pallanza Henry Brokman 1926
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- Bildnis Josef Gunkel Josef Kriehuber
- View of Cittaducale Josephus Augustus Knip c. 1810 - c. 1812
- Mercurius diéén schaap op zijn schouders draagt David Humbert de Superville
- Figure Studies 14 Edgar Degas 1882-85
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- Mann und zwei Akte im Atelier Ernst Ludwig Kirchner around 1912
- H. Gaudier-Brzeska, 1891-1915 Pl.12 Henri Gaudier-Brzeska 1919
- Akt klęczącej kobiety z uniesionymi rękoma Adolf Sternschuss 1908
- półakt kobiecy (szkic) Adolf Sternschuss 1909
- Mercury Anthony van Dyck
- Kerosene Lamp Paul Cézanne 1878-1881
- La Modiste, Mademoiselle Margouin Henri de Toulouse-Lautrec 1900
- La Maroquinerie Félix Vallotton 1901
- Mules John Singer Sargent 1918
- Der alte Geiger August Macke 1905
- Study of a Jockey Edgar Degas c. 1884