Étude de nu pour la figure du prophète Isaïe dans le tableau « L’Immaculée Conception de la Sainte Vierge Marie »

Related Artworks

• Creation of the world Józef Simmler 1856
• Szkic kompozycji ‘Ratowanie rozbitków’ Józef Simmler 1860-1867
• Vow of Queen Jadwiga Józef Simmler 1867
• Nobleman with a Parrot Józef Simmler 1859
• Portrait of colonel Konstanty Fiszer Józef Simmler 1863
• Studium postaci Marii Jakubowej do obrazu ‘Trzy Marie’ Józef Simmler 1865
• Study of angel for the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ Józef Simmler 1864
• Study of the hands of Sigismund Augustus for the painting “Death of Barbara Radziwiłł” Józef Simmler circa 1860
• Study of Jacob’s robes for the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ Józef Simmler 1864
• Study of clothing of the assailant to the painting ‘Martyrdom of St. Matthias’ Józef Simmler 1866-1867
• Half-length figure of a boy in profile to the left Józef Simmler 1860
• Sketch of crucifix for the painting ‘Queen Jadwiga’s Oath’ Józef Simmler 1867
• Sketch of the figure to the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’ Józef Simmler 1850
• Sketches of figures in folk costumes of Kuyavia Józef Simmler 1840-1850
• Study of the figure of King Sigismund for the painting ‘The Upbringing of Sigismund Augustus’ Józef Simmler 1861
• Composition sketch to the painting ‘Martyrdom of St Matthias’ Józef Simmler 1866-1867
• Studies of nude males to the painting ‘Martyrdom of St. Josaphat Kuntsevych’ Józef Simmler 1861
• Portrait of Emilia Włodkowska Józef Simmler 1865
• Portrait of Teresa Kicka Józef Simmler 1841
• Studies of heads in helmets ‘Queen Jadwiga’s Oath’ Józef Simmler 1867
• Studies of sleeve and robe fragment Józef Simmler 1850
• Szkice puttów i draperii do plafonu ‘Pochód weselny Amora i Psyche’ Józef Simmler 1863
• Study of hands for the painting ‘Death of Barbara Radziwiłł’ Józef Simmler 1860
• Study of the Robe of St Matthias to the Painting ‘Martyrdom of St Matthias’ Józef Simmler 1866-1867
• Paar Im Umarmung (Couple embracing) Egon Schiele 1914
• The Sudden Gust of Wind Jean-Honoré Fragonard ca. 1763-1765
• The Fall of the Rebel Angels Giovanni Battista Tiepolo 1712-1715
• la liberté guidant le peuple Eugène Delacroix circa 1830
• The Three Crosses Rembrandt van Rijn Circa 1653-1655
• A Regatta on the Grand Canal Francesco Guardi 1778
• Aux Ambassadeurs Edgar Degas 1879-1880
• Rain Effect Camille Pissarro c. 1879
• The Sacrifice of Iphigenia Giovanni Battista Tiepolo c. 1726
• Badende am Strand von Fehmarn Ernst Ludwig Kirchner 1912-13
• Ames du Purgatoire Auguste Rodin 1893
• Michaels Kampf mit dem Drachen, aus der Folge der Apokalypse, Urausgabe Deutsch 1498 Albrecht Dürer ca. 1496 - 1498
• Cafe Terrace at Night Vincent van Gogh 1888
• The Lictors Bringing Brutus the Bodies of his Sons Jacques Louis David 1787
• Portrait of Arthur Roessler Egon Schiele 1914
• Weiblicher Akt Egon Schiele
• Illustrations of the book of Job Pl.03 William Blake 1826
• Yosemite Valley, California Albert Bierstadt
• Distant View of Niagara Falls Thomas Cole 1830
• The Wheat Field George Inness c. 1875-77
• The Course of Empire–The Savage State Thomas Cole ca. 1834
• The White Horse John Constable 1818-1819
• Das Ständchen Carl Spitzweg 1875
• Peace and Plenty George Inness 1865
• Christ Baptized Juan Carreño de Miranda 1682
• Study for the statue of St. John in the Stollwerck Mausoleum Josef Engelhart 1926
• Fall of the Rebel Angels Francesco Fontebasso 1736
• The Dead Christ Supported by Three Figures Giovanni Battista Naldini 1537-91
• Two male figure studies and St Peter Pisanello 1430 - 1435
• Lamentation of Christ Anthony van Dyck
• Study of the figure of St. Barbara Józef Mehoffer 1898
• Académie d’homme assis dans un paysage Charles-Joseph Natoire
• Contemptuous of the Insults Francisco de Goya 1816-1820
• Euclid Jusepe de Ribera about 1630-1635
• The Daughters of Zelophehad Frederick Richard Pickersgill 1865[-]81
• Dr. David Hayes Agnew Thomas Eakins a. 1889
• The Tribute Money Titian circa 1485
• Tempest, act I, scene II, Prospero; by accident most strange, bountiful fortune, now my dear lady, hath mine enemies brought to this shore Walter Crane