La deposizione
1840-1854
La deposizione by Józef Simmler, 1840-1854, Religion, romanticism
Related Artworks
- Szkice Hucułów Józef Simmler 1846
- Portrait of Mrs. Kruszewska née Komorowska Józef Simmler
- Study of the figure to the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’ Józef Simmler 1850
- Fragment of the interior of St. Mark’s Church in Venice Józef Simmler 1856
- Studia rąk Katarzyny Jagiellonki, księcia Jana Finlandzkiego i strażnika do obrazu ‘Katarzyna Jagiellonka w więzieniu w Gripsholmie’ Józef Simmler 1858
- A shepherdess with a goat Józef Simmler 1860
- Sketch of nude men to the scene with Nicodemus and Joseph of Arimathea supporting the dead body of Christ to the painting ‘Entombment’ Józef Simmler 1850
- Sketch of the composition to the scene from the first act of the ‘Giselle’ ballet Józef Simmler 1855
- Study of robes of Jaśko of Tęczyn) for the painting ‘Queen’s Jadwiga’s Oath’ Józef Simmler 1867
- Koncert renesansowy (szkic kompozycji) Józef Simmler 1857
- Sketch for “Crucifixion” Józef Simmler 1868
- Sketch of head and studies of hands of Gniewosz of Dalewice; studies of Jagiełło’s hands for the painting ‘Queen Jadwiga’s Oath’ Józef Simmler 1867
- Portrait of a man Józef Simmler 1856
- Sketches of male nude for the painting ‘Martyrdom of St. Matthias’ Józef Simmler 1866-1867
- Studium głowy chłopca Józef Simmler
- Study of the act to the figure of John of Finland for the painting ‘Catherine Jagiellon in Gripsholm Prison’ Józef Simmler 1858
- Nude sketches of the figure of King Sigismund I and Hetman Tarnowski in the painting ‘The Upbringing of Sigismund Augustus’ Józef Simmler 1861
- Study of Mary’s robes for the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ Józef Simmler 1864
- Jaśko of Tenczyn. Study to the Painting ‘The Oath of Queen Jadwiga’ Józef Simmler 1867
- Nude study of prince for the painting ‘The Upbringing of Sigismund Augustus’ Józef Simmler 1861
- Sketches of a nude female Józef Simmler 1842
- Sketches of Mary Magdalene to the composition ‘Entombment’ Józef Simmler 1850
- Study of hands to the painting ‘Martyrdom of St. Josaphat Kuntsevych’ Józef Simmler 1861
- Study of the robe of Bishop Piotr Wysz for the painting ‘Queen Jadwiga’s Oath’ Józef Simmler 1867
- Satan Approaching the Court of Chaos William Blake 1784
- The Adoration of the Magi Peter Paul Rubens c. 1624
- Illustrations of the book of Job Pl.01 William Blake 1826
- The Snyders Triptych I Jan Boeckhorst circa 1659-1660
- Lucca Madonna Jan van Eyck ca. 1437
- Eve Sir Edward Coley Burne-Jones 1862
- The Great Last Judgement Peter Paul Rubens circa 1617
- Christ with the cross and the chalice Cornelis Cornelisz Van Haarlem 1591 - 1592
- Adoration of the Magi Guido Reni 1642
- Madonna And Child Johann Nepomuk Ender
- The Finding of Moses (after Paola Veronese)@Religion John Baptist Jackson
- St. Philippus Hendrick Goltzius c. 1578
- Coronation of the Virgin Gentile da Fabriano about 1420
- The Baptism of Christ Hans Rottenhammer
- Christ Driving the Money-Changers from the Temple Pieter Aertsen Matthew 21; 12-13
- Ecce Agnus Dei Giovanni di Paolo 1455-60
- Portrait of Mlle. Lange As Danae Anne Louis Girodet-Trioson 1799
- Portrait of a Young Man Théodore Géricault c. 1818
- A Widow – Une Veuve John Raphael Smith 1791
- Montjovet from below St Vincent, looking down the Val d’Aosta towards Berriaz Joseph Mallord William Turner 1836
- Milton, a poem in 2 books Pl.24 William Blake 19th century
- Aufziehendes Unwetter über einer Landschaft mit Wegkreuz Eduard Wilhelm Pose 1836
- Junges Paar vor einem Bauernhaus Emil Rau
- Portrait of a Woman in a Blue Turban Eugène Delacroix About 1827
- Saint Lucy Benvenuto Tisi 1535 - 1540
- Votive Offering (Saint Sebastian) Ángel Zárraga 1912
- Saint John on Patmos Hans Baldung ca 1511
- Saint Marc Jean-Honoré Fragonard 1761-1765
- Priere Muller, Luchsinger & Co. 1889
- A male figure dressed in orange holding a palm Charles Fairfax Murray
- Saint Rufina Diego Velázquez
- Praying Gabriel von Max
- The Hostages Théophile Alexandre Steinlen 1915
- Lamentation Jacopo Palma il Giovane c. 1620
- Seul ; Cheval hennissant sur un champ de bataille, à demi-attelé à un canon à côté de lui un autre cheval mort Constant Eugène de Busschere
- Terre d’épouvante Théophile Alexandre Steinlen 1917
- Study for the Death of Socrates Jean-François-Pierre Peyron 1787
- Totenhaus Max Beckmann 1922