스코틀랜드의 햄릿.

Related Artworks

• August, from The Twelve Months Robert Dighton c. 1781
• The Return From The Masquerade – A Morning Scene Robert Dighton
• October, from The Twelve Months Robert Dighton 18th century
• A view of Norfolk Robert Dighton 1809
• A view from Baxter’s livery stables, Cambridge Robert Dighton 1810
• Out Of Place Robert Dighton
• Bachelor’s Hall Robert Dighton
• Mother Goose of Oxford. Robert Dighton 1807
• Geography bewitched! Or, a droll caricature map of England and Wales. Robert Dighton 1794
• The Frenchman In Distress Robert Dighton
• May, from The Twelve Months Robert Dighton 18th century
• A journeyman parson going on duty. Robert Dighton 1782
• A gloomy Day, taken on the Steyne at Brighton. Robert Dighton 1801
• The King and Noblemen Before the Stag is Turn’d Out Robert Dighton
• The Contrast Robert Dighton
• A noble duke. Taken on the Steyne at Brighton. Robert Dighton 1801
• A view taken from Bladuds Buildings, Bath. Robert Dighton 1809
• The arms and supporters of a debateing society. Robert Dighton 1798
• John Doe & Richd. Roe. Brothers in Law. Robert Dighton 1796
• February, from The Twelve Months Robert Dighton 18th century
• A Lesson Westward, or, A Morning Visit to Betsy Cole Robert Dighton 1782
• Hamlet in Scotland Robert Dighton 1794
• Margaret Nicholson attempting to assassinate Majesty King George IIId, at the garden entrance of St. James’s Palace, 2d August, 1786. Robert Dighton 1786
• Vil you give us a glass of gin. I’ll see you d–n’d first. Robert Dighton 1793
• Breton Bathers (Baigneuses Bretonnes) Paul Gauguin 1889
• Marcelle Lender and Eva Lavalliére in a Revue at the Variétés Henri de Toulouse-Lautrec 1895
• La belle indolente George Barbier 1923
• Kawasaki Katsushika Hokusai 1804
• Le Cri de Paris – Dimanche 18 Juillet 1897 Félix Vallotton 1897-1903
• The key-note of the campaign Thomas Nast 1872
• Mädchen mit zwei Kindern Ernst Ludwig Kirchner 1919
• Puss in boots. Arthur Rackham 1911
• Tavola 44 Francesco Cardinali 1828
• The Burgundian Standard Bearer Albrecht Dürer c. 1500
• Hunding discovers the likeness between Siegmund and Sieglinde Arthur Rackham 1910
• Marie Antoinette Edmond Morin 1861
• The works of Geoffrey Chaucer Pl.45 Sir Edward Coley Burne-Jones 1896
• Renaissance 7 Auguste Racinet 1880 - 1889
• Les principaux ornaments des tissus jusqu’au XIXme siècle Pl.14 Friedrich Fischbach 1902
• Transmitting the Spirit and Revealing the Form of Things_ Hokusai's Sketchbooks, vol. 1 Katsushika Hokusai 1814
• A Peaceable Kingdom with Quakers Bearing Banners (1829-30) Edward Hicks between 1829 and 1830
• Flat Iron Stand Donald Harding c. 1942
• Man’s Great Coat Frederick Jackson c. 1937
• Husaria w walce Ivan Ivanec 1930
• Ectocarpus pusillus Anna Atkins 1843-1853
• Wall-pepper or stonecrop Elizabeth Blackwell 1739
• Fellachenhaus mit einem ausgestopften Krokodil über der Tür Wilhelm Gentz 1850
• Gevangenpoort in Den Haag Willem Adrianus Grondhout 1907
• Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres Sir Edwin Henry Landseer
• The Grimaces Louis Léopold Boilly 1823
• Pierrefort Henri-Gabriel Ibels 1895
• Set Design for Henrik Ibsen’s Ghosts Edvard Munch 1906
• L’Invité après la parade Edgar Chahine 1902
• Harlequin and Pulcinella…were threatening each other with sticks and blows. Attilio Mussino 1925
• Debut am Cabarett (Debut in the cabaret) Paul Klee 1937
• Harlequin Paul Cézanne 1888-1890
• The Strife between Carnival and Lent Pieter Bruegel The Elder 1550 - 1560
• Restez, ma chère fille dans la voix du Seigneur.Ce soir j’irai vous porter l’absolution Moloch (Alphonse Hector Colomb)
• Gefährliche Begegnung Otto Gebler 1870-75
• ça fait déjà trois fois qu’ton frère me prend mon tabac, la prochaine fois qu’y r’commence j’y f’rai prendre la pipe Fernand Louis Gottlob 1904
• Ne faites donc pas attention Frédéric Bouchot 1837
• Comme quoi pour faire fructifier l’intérêt il sied parfois d’enfoncer le capital Fernand Louis Gottlob 1906