Una domanda locale. Chi è la TARIFFA e perché è solo per le entrate
1893
Una domanda locale. Chi è la TARIFFA e perché è solo per le entrate by Thomas Nast, 1893, Illustration, realism
Related Artworks
- Justice!. Thomas Nast 1873
- English Syndicate (British Gold) Thomas Nast 1889
- The emancipator of labor and the honest working-people Thomas Nast 1874
- Sectarian bitterness. Our common schools as they are and as they may be. Thomas Nast 1870
- Shylock, we would have moneys and votes Thomas Nast 1872
- The ‘short’ boys Thomas Nast 1873
- The old Tammany-Clubs Thomas Nast 1892
- A live jackass kicking a dead lion Thomas Nast 1870
- U.S., here’s to Sir Henry Irving, right royally knighted Thomas Nast 1895
- The American River Ganges Thomas Nast 1871
- The joint high commission. Reconciliation of John and Jonathan. Felicitations over the great Anglo-Saxon Victory Thomas Nast 1871
- Lead us not into temptation Thomas Nast 1868
- Free trade every day to compete with our labor and not all Britishers by any means Thomas Nast
- The ‘brains’ Thomas Nast 1871
- If the old gang gets in, there will be the devil to pay Thomas Nast 1895
- Never Did Care For Christian Enlightenment Thomas Nast 1896
- Time, midnight. – Scene, New York City Hall Thomas Nast 1868
- Infanticide Thomas Nast 1867
- Misrule has reigned long enough!. Thomas Nast 1896
- Strike oil (Hunter’s Point). Thomas Nast 1881
- A privilege Thomas Nast 1875
- After all Thomas Nast 1881
- The Army of the Potomac — ‘Little Mac’ making his rounds Thomas Nast 1862
- 68,000 votes for Henry George in N.Y. City, and don’t you forget it. Thomas Nast
- The Orrery Joseph Wright of Derby 1768
- El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
- The Rhine-Maidens teasing Alberich Arthur Rackham 1910
- Appearing Again; The Courtesan Naniwaya Okita Kitagawa Utamaro circa 1795-1796
- Milton, a poem in 2 books Pl.29 William Blake 19th century
- At the Moulin Rouge; La Goulue and Her Sister Henri de Toulouse-Lautrec 1892
- Pozzo’s architecture in perspective Andrea Pozzo 1707
- Mlle Bécat at the Café des Ambassadeurs Edgar Degas 1877-78
- ‘Snap-the-Whip’ Winslow Homer 1872
- Drummer Winslow Homer 1864
- A man, sitting on the ground Katsushika Hokusai 1830-1850
- Statesman José Guadalupe Posada
- Gogatsu no bu Katsushika Hokusai 1791
- Tournament with the Tapestry of Samson and the Lion Lucas Cranach the Elder 1509
- Notes sur l’amour Pl 07 Pierre Bonnard 1922
- The Invasion, Plate II; England William Hogarth 1756
- Breezing Up Winslow Homer
- Saco Bay Winslow Homer 1896
- William Rush’s Model Thomas Eakins 1908
- Man with a Scythe Winslow Homer ca 1869
- Home,Sweet Home Winslow Homer c. 1863
- Beach Scene William James Glackens circa 1914
- Two-masted Schooner with Dory Winslow Homer 1894
- John Biglin in a Single Scull Thomas Eakins 1874
- La fin de la Grande Guerre (The end of the Great War) Raoul Dufy 1918
- Incontro diplomatico Rencontre diplomatique Augusto Grossi 1879
- David Garrick as Richard III William Hogarth
- Asalto de la tercera columna argentina a Curupaytí Cándido Lopez 1893
- The Angry Wife Jean-Baptiste Greuze ca. 1785
- Jael and Sisera Artemisia Gentileschi ca. 1620
- Man subdues a harpy Giuseppe Maria Mitelli 1663
- La revanche des paysans Jean-Antoine Watteau
- Beach with sailboats and stormy sea Jan Brueghel The Elder 1614
- Truth coming out of the Well Edouard Bernard Debat-Ponsan 1898
- Let’s give him enough and on time Norman Rockwell 1942
- Segawa tomisaburō [as yadorigi, wife of ogishi kurando] Tōshūsai Sharaku 1794
- The Story of Lot; Lot and His Family Fleeing Sodom Heinrich Aldegrever 1555
- Fame Domenico del Barbiere 1540[-]50