Albert Gleizes
Cubist founder and theorist
Albert Gleizes was a major 20th-century French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, Du "Cubisme", 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of Der Sturm, and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's Galerie de l’Effort Moderne in Paris; he was also a founder, organizer and director of Abstraction-Création. From the mid-1920s to the late 1930s much of his energy went into writing, e.g., La Peinture et ses lois (Paris, 1923), Vers une conscience plastique: La Forme et l’histoire (Paris, 1932) and Homocentrisme (Sablons, 1937).
Relationship Network
Master student
- Blanche Lazzell Master
Fellow student
Parent child
- Léon François Comerre Parent
Artworks by this artist
- Composition circa 1950
- Igor Stravinsky 1914
- La femme au gant noir circa 1920
- Landscape 1914
- Figure en gloire 1936
- Étude pour le portrait de Florent Schmitt 1914
- Composition circa 1950
- Kelly Springfield 1915
- Sans titre 1929
- Composition, évocation figurée ou Sur l’avenue 1920
- Composition au bol noir 1921
- Composition aux trois personnages circa 1920
- Composition; La femme en vert 1923
- Au Palais 1942
- Portrait cubiste 1914
- Femme assise 1919
- Cubist Composition (Centre Noir) 1921
- Figure suggérée dans une peinture mesure-cadence-rythme 1935
- Femmes assises devant une fenêtre 1914
- Paysage à l’arbre 1910