Albert Gleizes
Cubist founder and theorist
Albert Gleizes was a major 20th-century French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, Du "Cubisme", 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of Der Sturm, and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's Galerie de l’Effort Moderne in Paris; he was also a founder, organizer and director of Abstraction-Création. From the mid-1920s to the late 1930s much of his energy went into writing, e.g., La Peinture et ses lois (Paris, 1923), Vers une conscience plastique: La Forme et l’histoire (Paris, 1932) and Homocentrisme (Sablons, 1937).
Relationship Network
Master student
- Blanche Lazzell Master
Fellow student
Parent child
- Léon François Comerre Parent
Artworks by this artist (62 total)
- Femme assise 1919
- Paysage à l’arbre 1910
- Sans titre (Tableau familier) 1923
- Acrobates 1916
- Nature morte avec bouteille (étude) circa 1915
- Au Palais 1942
- Étude pour ‘La Femme au gant’ ou Composition 1920
- La Dame aux bêtes, Portrait de Madame Raymond Duchamp Villon 1914
- Sans titre 1929
- Composition circa 1950
- Femme 1919
- Composition 1922
- Composition, évocation figurée ou Sur l’avenue 1920
- Composition ou Peinture objet 1921
- Composition rythmique, quatre éléments 1924-25
- Étude pour le portrait de Florent Schmitt 1914
- Episode de la Guerre de Troie 1929
- Chute de Babylone 1839
- Composition aux trois personnages circa 1920
- Tête d’homme 1913