Allan Ramsay
Elegant Scottish portraitist of royalty
Allan Ramsay was a prominent Scottish portrait-painter. Allan Ramsay was born in Edinburgh, Scotland, the eldest son of Allan Ramsay, poet and author of The Gentle Shepherd. From the age of twenty he studied in London under the Swedish painter Hans Hysing, and at the St. Martin’s Lane Academy; leaving in 1736 for Rome and Naples, where he worked for three years under Francesco Solimena and Imperiali (Francesco Fernandi). On his return in 1738 to the British Isles, he first settled in Edinburgh, attracting attention by his head of Duncan Forbes of Culloden and his full-length portrait of the Duke of Argyll, later used on Royal Bank of Scotland banknotes. He later moved to London, where he was employed by the Duke of Bridgewater. His pleasant manners and varied culture, not less than his artistic skill, contributed to render him popular. His only serious competitor was Thomas Hudson, with whom he shared a drapery painter, Joseph van Aken. He gave up painting in about 1770 to concentrate on literary pursuits. His health was shattered by an accidental dislocation of the right arm and his second wife’s death in 1782. With unflinching pertinacity, he struggled until he had completed a likeness of the king upon which he was engaged at the time, and then started for his beloved Italy. He left a series of 50 royal portraits to be completed by his assistant Reinagle. For several years he lingered in the south, his constitution finally broken. He died at Dover on 10 August 1784.
Relationship Network
Master student
- Francesco Solimena Master
- Alexander Nasmyth Student
- Philip Reinagle Student
Friend
Influenced
Artworks by this artist (45 total)
- King George III In Coronation Robes circa 1765
- Study for a Portrait of a Woman
- Portrait Of A Lady, Traditionally Identified As Mrs. Kitty Clive
- Alexander Boswell, Lord Auchinleck between 1754 and 1755
- Portrait Of Lady Hariot Vernon 1742
- George III Of England 1765 - 1766
- Study for a Portrait of a Woman.
- Study of a Hand Holding a Hat
- The Artist’s Wife, Margaret Lindsay of Evelick 1758
- Queen Charlotte 1762-1766
- Portrait Of Lady Susanna Campbell, Née Bernard D. 1751
- A Country Girl at Surrentum, Italy 1776
- Lady Sophia Desart 1751
- Mary Adam 1754
- Queen Charlotte, with her Two Eldest Sons circa 1764-69
- Man Standing Holding a Staff in His Left Hand, Full Length
- Portrait Of John Campbell 1749
- Portrait of John Reid 1751
- Henry Bellenden ca. 1749
- Study for the Portrait of William Guise ca. 1761