Alphonse Osbert
Symbolist pointillist of ethereal blue landscapes
Alphonse Osbert was a French Symbolist painter. Educated at the École des Beaux-Arts, his earliest passion was for the great Spanish masters, particularly Jusepe de Ribera. A shift away from his academic style took place in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Osbert abandoned naturalistic painting in favour of a Pointillist technique like that employed by Seurat and Signac. Also inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon, rendered with abundant use of the colour blue. In the 1890s he was associated with Joséphin Péladan and his order of Rosicrucianism. Osbert's later works include a few commissioned murals, for sites including the Centre Thermal des Dômes in Vichy (1903 and 1904), and the Church Of Saint-Louis in Vichy (1915).
Relationship Network
Master student
- Fernand Cormon Master
Influenced by
Artworks by this artist
- Soir antique 1908
- La Muse du Lac
- Une mare dans les dunes, le soir, Siouville 1889
- Reverie dans la nuit 1895
- La tombée du soir sur l’Oise 1888
- In The Evening’s Tranquility 1897
- Rêverie dans la nuit 1893-1895
- Contemplation
- Le soir sur l’étang
- Harmonie lunaire
- A Morning’s Harmony 1902
- La route des champs le matin 1932
- Illustration pour La jarre couronnée de Marcel Schwob 1893-1895
- Solitude 1895
- Le coucher de soleil 1893
- Dans les champs de Diélette (Manche) 1887
- River Bank
- Brouillard du matin, Diélette – Flamanville 1887