Angelica Kauffmann
Neoclassical history painter and Royal Academy founder
Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of the two female founding members of the Royal Academy in London in 1768. While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting was considered the most elite and lucrative category in academic painting during this time period and, under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote it to a native audience more interested in commissioning and buying portraits and landscapes. Despite the popularity that Kauffman enjoyed in British society, and her success there as an artist, she was disappointed by the relative apathy of the British towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
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Artworks by this artist (104 total)
- Vergil liest Augustus und Octavia die Aeneis vor ca. 1788
- Portrait of Sarah Harrop (Mrs. Bates) as a Muse 1780-1781
- Rinaldo et Armida 1785
- Selim of the Shepherd’s Moral 1788
- Cimon and Iphigenia
- Dr. John Morgan of Philadelphia 1765
- The Death of Alcestis 1796
- Cornelia, Mother Of The Gracchi (1788) 2
- Portrait of the Irish lawyer and politician Philip Tisdall 1770s
- Bacchanalians 1786
- Shakespeare’s Tomb 1782
- A Frieze; Men Planting Trees, Women Gathering Blossoms and Watering Flowers
- Marie Therese Gräfin Meerfeld, geb. Gräfin Dietrichstein 1790
- Queen Margaret and the Robber; Margaret of Anjou Queen of England attacked by robbers in a wood and robbed of everything whilst she was fleeing from the kingdom 1781 - 1789
- Josef Johann Graf Fries 1787
- Cumaean Sibyl (After Domenichino) circa 1763
- Portrait of Wojciech Męciński
- Allegory of Conjugal Peace
- Self-Portrait
- Papirius Praetextatus Entreated by his Mother to Disclose the Secrets of the Deliberations of the Roman Senate