August von Pettenkofen
Sincere depictions of Hungarian peasant life
August von Pettenkofen was an Austrian painter. Pettenkofen was born in Vienna; his father was a merchant and landowner. He grew up on his father's estate in Galitzia. After his father's death, he grew up with the family of his cousin Ferdinand von Saar in Vienna. In 1834, giving up a military career, he became a student at the Academy of Fine Arts, where he studied with Leopold Kupelwieser and Franz Eybl. At this time, he painted genre works in typical Biedermeier style. During the Revolutions of 1848, he became a military painter in the style of Carl Schindler. While performing his duties, he spent some time in Szolnok, Hungary; an area which left a great impression on him and led to his style becoming more picturesque. In 1852, he went to Paris and came under the influence of the Barbizon school. His paintings are recognized for the sincerity with which the artist depicts the uneventful melancholy life of Hungarian peasants and gypsies, without any theatrical pathos or forced humour. He was admitted as a member of the Vienna Academy in 1866 and, in 1872, became an honorary member of the Academy of Fine Arts, Munich. In 1876, he was knighted. Between 1870 and 1880, he took annual trips to Venice. He died at the "Sanatorium Loew" in Vienna in 1889. That same year, a street in Landstraße was named after him. In 1893, he was buried in a grave of honor (German: Ehrengrab), designed by Viktor Tilgner, at the Zentralfriedhof.
Relationship Network
Master student
- Leopold Kupelwieser Master
- Franz Eybl Master
- Friedrich August von Kaulbach Student
- Hans Tichy Student
- Ludwig Blume-Siebert Student
- Rudolf Hirth du Frênes Student
Fellow student
Influenced by
- Carl Schindler Source
Influenced
Artworks by this artist
- Biwak russischer Soldaten 1852
- Straßenkampf 1887
- Ungarischer Markt mit blauen Schirmen 1874
- Marktszene Bukarest
- Ungarische Ochsengespanne 1874
- Study of a Nude Young Girl 1838-89
- Geschirrmarkt in Szolnok
- Zigeunerin 1862
- Madonna 1840
- Ungarische Bäuerin im Begriff, von der Seite her auf ein Fuhrwerk zu steigen
- Markt in Szolnok 1870-1880
- Der Garten des Malers Franz von Lenbach in München 1883
- Stehende Bäuerin, ein Kind im Arm haltend 1856
- Wald mit Soldaten
- Karrengäule auf einem Marktplatz im ungarischen Szolnok
- Neapolitanisches Bauernhaus mit Bäuerin 1873
- Motiv aus der Puszta
- Ungarische Dorfidylle 1850-1860
- Brustbild eines Zigeuners 1860-1870
- Der Kuss II 1864