Bartolomeo Vivarini
Pioneered Venetian oil painting with devout tempera works
Bartolomeo or Bartolommeo Vivarini was an Italian Renaissance painter, known to have worked from 1450 to 1499. Bartolomeo's brother Antonio Vivarini, and his nephew (also possibly his pupil) Alvise Vivarini, were also painters. He learned oil painting from Antonello da Messina, and is said to have produced, in 1473, the first oil picture done in Venice. Housed in the basilica of San Zanipolo, it is a large altar-piece in nine divisions, representing Augustine and other saints. Most of his works, however, are in tempera. His outline is always hard, and his colour good; the figures have much dignified and devout expression. As "vivarino" means in Italian a goldfinch, he sometimes drew a goldfinch as the signature of his pictures. The Getty Museum, Harvard University Art Museums, the Honolulu Museum of Art, the Louvre, the Museum of Fine Arts, Boston, the National Gallery of Art (Washington D.C.), the National Gallery, London, the New Orleans Museum of Art, the Philadelphia Museum of Art, Pinacoteca Ambrosiana (Milan), Pinacoteca Nazionale di Bologna, Pinacoteca Provinciale di Bari, the Rijksmuseum and the Uffizi are among the public collections holding works by Bartolomeo Vivarini.
Relationship Network
Master student
- Antonello da Messina Master
Parent child
- Alvise Vivarini Child
Siblings
- Antonio Vivarini Unknown
Artworks by this artist
- Saint Catherine Of Alexandria
- Polyptych with Saint James Major, Madonna and Child, and Saints 1490
- The Death of the Virgin 1485
- Madonna and Child c. 1475
- Saint Damian (or Cosmas) 1465 - 1480
- Saint Cosmas (or Damian) 1460 - 1480
- The Crucifixion of Christ 1465-70
- Portrait of Wolfgang, Count Palatine 1525