Bernard Picart
Documented global religious rituals objectively
Bernard Picart , was a French engraver, son of Etienne Picart, also an engraver. He was born in Paris and died in Amsterdam. He moved to Antwerp in 1696, and then spent a year in Amsterdam before returning to France at the end of 1698. After his wife died in 1708, he moved to Amsterdam in 1711 (later being joined by his father), where he became a Protestant convert and married again. Most of his work was book-illustrations, including the Bible and Ovid. His most famous work is Cérémonies et coutumes religieuses de tous les peuples du monde, appearing from 1723 to 1743. Jonathan I. Israel calls Cérémonies "an immense effort to record the religious rituals and beliefs of the world in all their diversity as objectively and authentically as possible". Although Picart had never left Europe, he relied on accounts by those who had and had access to a collection of Indian sculpture. The original French edition of Cérémonies comprises ten volumes of text and engravings.
Relationship Network
Master student
- Jacques-André-Joseph Aved Student
- Pieter Tanjé Student
Fellow student
Artworks by this artist
- Cérémonie du baptême et de la coupe des cheveux des enfants chez les Incas
- The Cat and the Bat 1718
- Vignette from the Galerie des Glaces, Versailles early 18th century
- Mexican Sacrifice to the God of Hunting 1722
- A monument dedicated to posterity in commemoration of ye incredible folly transacted in the year 1720 1720
- Design for a Frontispiece 1720
- Vignette from the Battle of Milvian early 18th century
- Academy study; Seated nude with a sword 1722
- Cupid and Death 1718
- Kniender männlicher Akt, aus einer Schale trinkend 1723
- Vignette from the Battle of Milvian early 18th century
- A Reclining Male Nude 1723
- Presumed Portrait of Alexander the Great 1719
- The Gods of Egypt 1718
- The witches’ sabbath
- John Wycliffe 1713
- Papavers 1683 - 1733
- Vignette from the Galerie des Glaces, Versailles early 18th century
- Abundantia hält das Medaillon eines mit Lorbeer gekrönten Mannes, oben schwebt ein Faun 1712
- Amoretten halten ein Tuch, rechts Minerva, links Herkules und Mars