Carl Spitzweg
Humorous Biedermeier genre painter of eccentrics
Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era. Spitzweg was born in Unterpfaffenhofen, near Munich, Bavaria, the second of three sons of Franziska (née Schmutzer) and Simon Spitzweg. His father, a wealthy merchant, had Carl trained as a pharmacist. He attained his qualification from the University of Munich but, while recovering from an illness, he took up painting. Spitzweg was self-taught as an artist, starting out by copying the works of Flemish masters. He contributed his first work to satiric magazines. Upon receiving an inheritance in 1833, he was able to dedicate himself to painting. Later, Spitzweg visited European art centers in Prague, Venice, Paris, London, and Belgium studying the works of various artists and refining his technique and style. His later paintings and drawings are often humorous genre works. Many of his paintings depict sharply characterized eccentrics, for example The Bookworm (1850) and The Hypochondriac (c. 1865, in the Neue Pinakothek, Munich). His paintings inspired the musical comedy Das kleine Hofkonzert by Edmund Nick. Spitzweg is buried in the Alter Südfriedhof in Munich.
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Artworks by this artist
- Der Postbote 1860
- Der Arme Poet (The Poor Poet)@Figurative
- The Bookworm circa 1851
- Die Plauderstunde (A Good Gossip)@Figurative
- The garret I circa 1848-1850
- Sunday hunter
- Gestürzte Wetterfichte Ca. 1850-1860
- Jäger und Mädchen 1835-40
- Stehendes Mädchen
- Tänzerinnen hinter den Kulissen 1860
- Landscape with river
- Einsiedler in der Dämmerung (Der Anachoret) 1870-75
- Lagernde Karrner (Rast der Streuner) 1870
- The Fisherman
- Das Ständchen 1875
- The arrival of the stagecoach circa 1859
- Dirndln auf der Alm
- Study of a Woodland Landscape
- Der arme Poet Ca. 1836
- Moonlit Scene with Castle Ruins