Edmund Blair Leighton
Romanticized medieval and Regency historical scenes
Edmund Blair Leighton ROI was a painter of historical genre scenes, specialising in Regency and medieval subjects. Leighton was the son of the artist Charles Blair Leighton (1823–1855) and Caroline Leighton (née Boosey). He was educated at University College School, leaving at 15 to work for a tea merchant. Wishing to study art, he went to evening classes in South Kensington and then to Heatherley's School in Newman Street, London. Aged 21, he entered the Royal Academy Schools. Among his first commissions were monochrome illustrations for Cassell's Magazine and its Book of British Ballads. His first painting to be exhibited at the Royal Academy was A Flaw in the Title in 1874; it sold for £200. He soon gave up "black and white" illustrations, working for the rest of his career in oil on canvas. He married Katherine Nash in 1885; they had a son, the painter E. J. Blair Leighton, and a daughter. He exhibited annually at the Royal Academy until 1920. Leighton was a fastidious craftsman, producing highly finished, decorative historical paintings. These were romanticised scenes, often of chivalry and women in medieval dress with a popular appeal. It would appear that he left no diaries, and though he exhibited at the Royal Academy for over forty years, he was never an Academician or an Associate.
Artworks by this artist (36 total)
- The Appointed Time 1890
- An Oft Told Tale 1920
- A Gladiator in thought 1884
- Le billet doux 1915
- The Hostage 1912
- A King And A Beggar Maid 1898
- The Elopement 1893
- The winter walk 1904
- Ribbons And Laces For Very Pretty Faces 1902
- Stitching The Standard 1911
- My Lady’s Garden 1905
- Girl On A Coastal Path 1893
- A Picnic Party 1920
- The Ferry
- Books And Art Maternity 1917
- Vanquished 1884
- The blind man at the Pool of Siloam 1879
- Witness my act and seal 1878
- The Charity of Saint Elizabeth of Hungary circa 1895
- A Favour 1898