Émile-René Ménard
Classic themes with dreamlike brushwork
Émile-René Ménard was a French painter. From early childhood he was immersed in an artistic environment: Corot, Millet and the Barbizon painters frequented his family home, familiarizing him thus with both landscape and antique subjects. Ménard studied at the Académie Julian from 1880 after having been a student of Baudry, Bouguereau, and Henri Lehmann. He participated in the Salon of the Secession in Munich, and the Salon de la Libre Esthétique in Brussels during 1897. Several personal exhibitions were also devoted to him at the Georges Small Gallery. In 1904, he was appointed professor at the Académie de la Grande Chaumière, and in that year welcomed the rising young Russian painter Boris Kustodiev, age 26, in his art studio. In 1921, he exhibited in the Twelfth Salon along with Henri Martin and Edmond Aman-Jean. Galleries in Buffalo, New York and Boston, Massachusetts exposed Ménard and his art to the United States. However, the numerous commissions that Ménard received from the French government crowned his career; for example, the cycle for the Hautes Etudes à la Sorbonne, the Faculté de Droit, and the fresco Atoms for the Chemistry institute, and finally the Caise des Dépôts in Marseilles. Ménard's art allies a rigorous, clear classicism with a diffuse and dreamlike brushwork.
Relationship Network
Master student
- Henri Lehmann Master
- Boris Kustodiev Student
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Artworks by this artist
- Arco Iris
- The two bathers
- Pastoral Scene 1911
- Terre antique, le temple 1901
- Solitude
- L’Estuaire before 1900
- L’enlèvement d’Europe 1915
- Pastoral Scene 1911
- The lute player at dusk
- Cattle grazing above a bay at dusk
- The three graces 1923
- At Nightfall
- Spring 19th century
- The birth of Venus 1919
- Classical Subject
- Automne ca. 1897
- Landscape
- Cavaliers antiques dans un paysage de montagne
- Les Dryades