Eugène Delacroix
Leader of French Romanticism, master of color
Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in often violent action. However, Delacroix was given to neither sentimentality nor bombast, and his Romanticism was that of an individualist. In the words of Baudelaire, "Delacroix was passionately in love with passion, but coldly determined to express passion as clearly as possible." Together with Ingres, Delacroix is considered one of the last old Masters of painting, and one of the few who was ever photographed. As a painter and muralist, Delacroix’s use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish author Walter Scott and the German author Johann Wolfgang von Goethe.
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- Alexandre Bida Student
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- Henri-François Riesener Master
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Artworks by this artist (327 total)
- Four figure studies of Bedouins and three of head studies
- Street in Meknes 1832
- Hamlet wants to follow his father’s ghost (Act I, scene iv) 1864
- Studies of a Lion and a Female Nude ca. 1844
- Rebecca and the Wounded Ivanhoe 1823
- Crouching Woman 1827
- Hamlet and Horatio with the gravediggers (Act V, scene I) 1864
- Heads and Paws of Lions
- Marphise 1852
- Sketches of Tigers and Men in 16th Century Costume 1828-29
- Studies of Heads and Figures ca. 1822-27
- Study of a Moorish Arcade, Spain 1832
- The Crusades. – Entry of the French and Venetians into Constantinople. 1204. Fourth Crusade
- Tiger and Snake 1862
- Juive de Tanger en costume d’appart
- Study of a Left Arm and Hand 1815-63
- Young Moroccan, Standing 1832
- Hamlet and Guildenstern (Act III, scene ii) 1864
- Lion Attacking a Horse with Rider (Sketch for The Tiger Hunt) ca. 1854
- Studies of ‘Agriculture,’ Palais Bourbon, Paris 1833-35