Eugène Delacroix
Leader of French Romanticism, master of color
Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in often violent action. However, Delacroix was given to neither sentimentality nor bombast, and his Romanticism was that of an individualist. In the words of Baudelaire, "Delacroix was passionately in love with passion, but coldly determined to express passion as clearly as possible." Together with Ingres, Delacroix is considered one of the last old Masters of painting, and one of the few who was ever photographed. As a painter and muralist, Delacroix’s use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish author Walter Scott and the German author Johann Wolfgang von Goethe.
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- Alexandre Bida Student
- Alphonse Marie De Neuville Student
- Henri-François Riesener Master
- Maurice Sand Student
- Pierre Puvis de Chavannes Student
- Victor Müller Student
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Artworks by this artist
- The Lion Hunt 1855
- View of Tangier from the Seashore 1856-1858
- Beweinung Christi 1857
- St. Sebastian with St. Irene and Attendant 1858
- Hamlet and His Mother 1849
- Fallen Horse and Dead Knight c. 1827-1829
- The Raising Of Lazarus 1850
- Flowers 1843
- The Figure of Religion 1820-21
- Landscape with an Aqueduct ca. 1827
- Crouching Woman 1827
- Portrait de Fougerat
- Löwin, ihre linke Hinterpfote leckend 1858
- Faust and Mephistopheles 1827-8
- Minerve 1849 - 1852
- Sketches of Tigers and Men in 16th Century Costume 1828-29
- Hamlet and Horatio with the gravediggers (Act V, scene I) 1864
- Blumenstillleben 1834
- A Lioness and a Caricature of Ingres 1850s
- Aeneas and Anchises 1815