Ferdinand Georg Waldmüller
Master of Biedermeier realism and nature
Ferdinand Georg Waldmüller was an Austrian painter and writer. Waldmüller was one of the most important Austrian painters of the Biedermeier period. In 1807 Waldmüller attended the Academy of Fine Arts Vienna. He lived in Bratislava and, in 1811, he worked as a teacher of arts for the children of Count Gyulay in Croatia. He returned to the Academy of Vienna and studied portrait painting. In 1814 he married the singer Katharina Weidner, and subsequently went on tour with her, working as a set designer. In 1817 he returned to Vienna and spent much time copying the works of old masters and painting portraits, genre subjects, and still-life. In 1823 he made a portrait of Ludwig van Beethoven. Waldmüller later became interested in nature and started painting landscapes, which in their loving attention to detail illustrate Waldmuller's belief that the close study of nature should be the basis of painting. These are his most notable works, in which his sense of colour and knowledge of nature helped him to achieve masterly skill. In 1819 he became professor at the Academy of Fine Arts Vienna, but was in disputes with the Viennese establishment, most notably for his comments on the system of the academy, where he wanted to establish a focus of the study on nature. His views were in opposition to the official doctrines of ideal art promulgated by the Vienna Academy, and after he had published his works on art education, he was forced to retire in 1857. By 1863 he had been accepted back into the art circles of Vienna, and was knighted in 1865. Ferdinand Georg Waldmüller was one of the most important Austrian painters of the Biedermeier period. Whether it was the conquest of the landscape and thus the convincing rendering of closeness or distance, the accurate characterisation of the human face, the detailed and refined description of textures, or the depiction of rural everyday life: his works – brilliant, explanatory, moralising, and socially critical – influenced a whole generation of artists. Being an advocate of natural observation and plein air painting, as well as a critic of academic painting, Waldmüller was far ahead of his time. Waldmuller died on 23 August 1865 in Hinterbrühl, Austria.
Relationship Network
Master student
- Aleksander Kotsis Student
- Anton Ebert Student
- Anton Romako Student
- Carl Schleicher Student
- Ernst Christian Moser Student
- Eugen Felix Student
- Friedrich Friedländer Student
- Hans Canon Student
- Johann Nepomuk Schödlberger Master
- Pauline Koudelka-Schmerling Student
- Wilhelm Koller Student
Fellow student
Influenced
Artworks by this artist (142 total)
- The Dachstein seen from the Sophienplatz 1834
- Kaiser Ferdinand I. von Österreich 1839
- The Cartographer Professor Josef Jüttner and His Wife 1824
- Charles de Moreau 1822
- Herr in schwarzem Rock mit weißer Weste 1841
- Die Römische Ruine in Schönbrunn 1832
- Die Schauspielerin Elise Höfer 1827
- Ansicht des Dachsteins mit dem Hallstättersee von der Hütteneckalpe bei Ischl 1838
- The farewell of the bride from her parents’ home 1860
- Lady in vermilion dress 1838
- Prince Rudolph Joseph of Colloredo-Mansfeld 1835
- Portrait of a Gentleman with Wavy White Hair 1821
- Josefine Schwartz von Mohrenstern, geb. Vicomtesse Goupy de Quabeck 1837
- Christmas morning 1844
- Gustav Barth, Chormeister des Wiener Männergesangsvereins 1843
- Blick zur Bergstadt Mola bei Taormina 1844
- Das Höllengebirge bei Ischl 1834
- Portrait Franz Benoit
- Die Verehrung des heiligen Johannes (Johannes-Andacht) 1844
- Graf Demetrius Apraxin als Kind vor einer Berglandschaft 1832