Fernand Pelez
Realistic depictions of social misery
Fernand Pelez was a French painter of Spanish origin who worked in Paris. Pelez portrayed social issues in a realistic style. Pelez was born in Paris. His father, Fernand Pelez de Cordova (1820–1899), was a Parisian painter as well, and was one of his teachers. Pelez was a commercial failure in the 1880s, and after the failure of his L'Humanité at the Salon of 1896, Pelez became something of a recluse, refusing to exhibit or sell his work. A major exhibition of his work was mounted in Paris, at the Petit Palais, Musée des Beaux-Arts de la Ville de Paris, from 24 September 2009 to 17 January 2010. Among his best known works are The Mouthful of Bread and Grimaces et Misères (also known as Les Saltimbanques (1888)). Consisting of five panels and measuring together 222 cm by 625 cm (87 in by 246¼ in), the latter work is now in the Petit Palais, Paris.
Relationship Network
Master student
- Félix-Joseph Barrias Master
Artworks by this artist (23 total)
- Les Danseuses 1905-1909
- Un martyr. Le Marchand de violettes 1885
- Danseuse dans sa loge enfilant un collant 1905 - 1909
- La Vachalcade 1896-1900
- Etang de Jouy-le-Comte près de l’Isle-Adam 1866
- Les Petites Figurantes 1911-1913
- Before the bath, young roman girl
- La Bouchée de pain; vieil homme en haillons, de face, tenant un morceau de pain 1904
- Death Of The Emperor Commodus 1879
- Un enfant dans la mansarde 1881
- Misery Or little Beggar
- Sans asile 1883
- La Bouchée de pain; vieil homme coiffé d’un chapeau melon, une besace en bandoulière 1904
- La Bouchée de pain; vieil homme de profil, coiffé d’un béret, mains dans les poches 1904
- Danseuse dans sa loge, assise profil droit 1905 - 1909
- Un nid de misère 1887
- Archers 1879
- Grimaces et misère – Les Saltimbanques 188
- Grimaces Et Misère;Les Saltimbanques 1888
- La Bouchée de pain; vieil homme s’appuyant sur des cannes 1904