François-André Vincent
Leading French Neoclassical painter and innovator
François-André Vincent was a French neoclassical painter. He was the son of the miniaturist François-Elie Vincent and studied under Joseph-Marie Vien. François-André Vincent was a pupil of École Royale des Éleves Protégés. From 1771 to 1775 he studied at the French Academy in Rome. He travelled to Rome after winning the Prix de Rome with Germanicus Calms Sedition in his Camp in 1768, and was when he was installed at the Palais Mancini, where he painted numerous portraits, inspired by Jean-Honoré Fragonard's style, who also was visiting Rome and Naples in the same time. In 1790, Vincent was appointed master of drawings to Louis XVI of France, and in 1792 he became a professor at the Académie royale de peinture et de sculpture in Paris. In 1800, he married the painter Adélaïde Labille-Guiard who was well known for her mastery in portrait painting, a member of the Royal Academy and painter for the Royal Family. He was a leader of the neoclassical and historical movement in French art, along with his rival Jacques-Louis David, another pupil of Vien. He was influenced by the art of classical antiquity, by the masters of the Italian High Renaissance, especially Raphael. François-André Vincent was one of the principal innovators of the subjects and themes in French art of Neoclassical style and his works were of a high standard. He was one of the founder members of the Académie des beaux-arts – part of the Institut de France and the successor to the Académie royale – in 1795. Towards the end of his life he painted less due to ill health, but he continued to receive official honours.
Relationship Network
Master student
- Joseph-Marie Vien Master
- Charles Meynier Student
- Charles Thévenin Student
- François-Edouard Picot Student
- Henri-François Riesener Student
- Mattheus Ignatius van Bree Student
Fellow student
Influenced by
- Jean-Honoré Fragonard Influencer
- Raphael Influencer
Artworks by this artist (30 total)
- Arria and Paetus 1784
- Portrait of a Mother and Child
- Martyrdom of St. Bartholomew, after Mattia Preti ca. 1774
- Portrait of a Man c. 1795
- Standing Man with His Right Hand on His Chest ca. 1787
- Alcibades Being Taught By Socrates C.1776
- Study for Boreas Abducting Oreithyia ca. 1782
- Back View of a Roman Servant Boy 1771-75
- Caricature of the Painter Pierre-Charles Jombert 1773-75
- Saint John the Evangelist 1793
- Park of an Italian Villa 1774-1775
- The Clemency of Augustus (Corneille, Cinna, V, 3) 1788
- An Artist Sketching 1771-75
- Man Seated at a Keyboard Instrument 1774
- The Ploughing Lesson; a Study For ‘l’agriculture’
- Le Secret (The Secret) 1795
- Pierre-Charles Jombert 1774
- Democritus among the Abderitans circa 1784
- Un jeune couple et une fillette, Etude pour La Leçon d’agriculture
- Youth Sleeping in a Chair ca. 1771-72