François-Gabriel-Guillaume Lépaulle
Renowned for portraits of French dignitaries
Guillaume François-Gabriel Lépaulle was a French painter associated with the Barbizon school. He painted landscapes historical works and genre scenes, although his best known works are portraits. He was a student of Jean-Baptiste Regnault, Horace Vernet and Jean-Victor Bertin at the École nationale supérieure des Beaux-Arts. His debut at the Paris came in 1824, with a scene depicting the invention of the lyre. Over the next few years, he became a regular annual contributor, with a profusion of subjects, based on his extensive travels to Spain, Italy, North Africa and Turkey. He also exhibited at the Exposition Universelle (1855) Despite these scenes, ranging from the tragic to the picturesque, to the humorous, most were judged to have little merit. His high regard stems largely from his portraits, in the gallery at the Palace of Versailles, representing Napoléon III, Admiral Henri de Rigny, Anne-Charles Lebrun (Duc de Plaisance) and many other prominent figures. He is also known for his decorative paintings at the churches of Saint-Merri and Saint-Vincent-de-Paul, as well as designing costumes for a performance of Robert le Diable, by Giacomo Meyerbeer, at the Paris Opera in 1835. The genre painter, Philipp Arons, is one of his more notable students.
Relationship Network
Master student
- Jean-Baptiste Regnault Master
- Horace Vernet Master
- Jean-Victor Bertin Master
Artworks by this artist (9 total)
- Tête de Giuseppe Fieschi (1790-1836), après son exécution 1836
- L’attentat de Fieschi, boulevard du Temple, 28 juillet 1835 1835
- Portrait d’Henriette Grevedon
- An Arabian Stallion and his Groom, Egypt
- Presumed portrait of future Comte de Plaisance 1832
- Saint Vincent de Paul arrivant à Tunis 1840
- Jean-Pierre Dantan (1800-1869), dans son atelier, modelant le buste de Lépaulle 1835
- Louis-Alexandre Berthier, maréchal de camp, chef d’état-major en 1792 (1753-1815) 1834
- Portrait d’Eugène Sue (1804-1857), romancier 1836