Gabriel von Max
Mystical symbolism with psychological depth
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter. He was born Gabriel Cornelius Max, the son of the sculptor Josef Max and Anna Schumann. He studied between 1855 and 1858 at the Prague Academy of Arts with Eduard von Engerth. His first large canvas was painted in 1858 while he was a student at the Prague Academy. He continued his studies at the Viennese Academy of Art with Karl von Blaas, Karl Mayer (painter), Christian Ruben and Carl Wurzinger. From 1863 to 1867 he studied at the Munich Academy with Karl Theodor von Piloty, and also Hans Makart and Franz Defregger. His first critical success was in 1867 with the painting "Martyr at the Cross": that painting transformed the "Unglücksmalerei" (dark palette) of Piloty into a religious-mystical symbolism using a psychological rendering of its subject. He continued to use the dark palette of the Piloty school well into the 1870s, later moving toward a more muted palette, using fewer,clearer colors. From 1869, Gabriel von Max had his studio in Munich; in the summer, he was in the Ammerland at Starnberger Lake. From 1879-1883, Gabriel Max was a professor of Historical Painting at the Munich Academy; he also became a Fellow of The Theosophical Society. In 1900 he was ennobled and became a Ritter. He died in Munich in 1915.
Relationship Network
Master student
- Karl von Blaas Master
- Karl Theodor von Piloty Master
- Carl Moser Student
- Carl O‘Lynch of Town Student
- Franz Marc Student
- Franz Naager Student
- Hugo Baar Student
- Leo Putz Student
- Michael Licklederer Student
- Paul Kutscha Student
- Rudolf Reschreiter Student
- Teodor Zemplényi Student
- Wilhelm Thöny Student
Fellow student
Influenced by
- Karl Theodor von Piloty Source
Influenced
Artworks by this artist
- Girl with Vine Leaves in her Hair
- A spring fairy tale 1872
- The Ecstatic Virgin Anna Katharina Emmerich 1885
- A Girl’s Head Turned to the Left
- The Seeress of Prevorst 1892
- Temptation
- Urania
- Woman’s head pondering
- Margarethe
- The Mirror
- Bildnis eines Mädchens mit Haube und Ohrschmuck 1875
- In Gedanken circa 1900
- Monkeys as Referees in the Fight between an Elephant and a Hippopotamus
- Der Atelierbesuch (A Visit to the Artist’s Studio)
- Der Anatom 1869
- Adagio 1876
- Leisure hours 1875
- Nachdenkliche Frau
- Studienkopf VI 1880
- Kopf eines träumenden Mädchens