Giovanni Antonio Pellegrini
Leading Venetian history painter, Tiepolo's predecessor
Giovanni Antonio Pellegrini was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano. He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France. He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini. Pellegrini was born in Venice. His father, also called Antonio, was a shoemaker from Padua. Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works. The work of fellow Venetian Sebastiano Ricci had an important influence on his work. He was in Rome from 1699 to 1701. He married Angela Carriera, the sister of Rosalba Carriera, in c.1704. Pellegrini decorated the dome above the staircase at the Scuola Grande di San Rocco in 1709. Pellegrini visited England from 1708 to 1713 at the invitation of the Earl of Manchester. Here he achieved considerable success. He painted murals in a number of English country houses, including at Kimbolton Castle for the Earl of Manchester, Castle Howard (where his work was mostly destroyed in 1940), and Narford Hall, Norfolk, for Sir Andrew Fontaine. Michael Levey, describing Pellegrini's paintings on the staircase at Kimbolton, says that, although painted directly into the wall in oil, "they have all the spontaneity and lightness of fresco. In London he worked at 31 St James's Square for the Duke of Portland, where George Vertue noted in his notebooks "the hall and Staircase and one or two of the great rooms". He became a director of Sir Godfrey Kneller's Academy in London in 1711. He submitted designs for decorating the interior dome of the new St Paul's Cathedral, and is said to have been Christopher Wren's favourite painter. He did not win the commission, losing out to Sir James Thornhill. Pellegrini subsequently travelled through Germany and the Netherlands, collecting Northern paintings as he went and completing works in many European cities. In 1713-4 he was in Düsseldorf, where he painted a series of allegorical scenes of the life of the elector, Johann Wilhelm. He decorated the Golden Room in the Mauritshuis in The Hague, and carried out other decorative schemes in Prague, Dresden and Vienna. He returned to England in 1719, but was less successful on his second visit, mainly due to competition from other Venetian painters, including Sebastiano Ricci. In about 1720 he painted the ceiling of John Law's Bank of France in Paris (since destroyed).
Relationship Network
Master student
- Paolo Pagani Master
- Antonio Visentini Student
Influenced by
- Sebastiano Ricci Source
Influenced
Artworks by this artist
- Caesar Before Alexandria 1724-25
- The Judgment Of Midas
- Pope Clement I Praying for Water
- Nobility Holding A Statue Of Athena
- The Massacre of the Innocents
- Erminia And The Shepherds
- En gruppe med fem gejstlige, der taler med en lægmand
- Virgin Standing on Clouds Holding a Scapular in Her Left Hand 1675-1741
- Design for a Ceiling; Allegories of the Four Continents 1725
- The Flight of Lot
- The Continence of Scipio c. 1710
- Le Déchargement en bord de Seine de marchandises en provenance de la Louisiane 1720
- Susannah and the Elders c.1708-1711
- Rebecca At The Well
- The Head of Pompey Presented to Julius Caesar 1675-1741
- The Annunciation 1675-1741
- Allegory of War 1713
- Bacchus and Ariadne 1720s
- Alexander at the Corpse of the Dead Darius 1708
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