Giuseppe Canella
Atmospheric urban and landscape views
Giuseppe Canella, also referred to as Giuseppe Canella the Elder, was an Italian painter. Initially trained by his father Giovanni, an architect, fresco painter and set designer, Giuseppe Canella started out producing stage sets and decorating stately homes in Verona and Mantua. His brother, Carlo Canella, was also a painter. It may have been under the influence of Pietro Ronzoni, a landscape painter of international renown active in Verona, that he took up landscape painting. The first views were not produced until 1815, after a short stay in Venice. After making his debut at the Fine Art Exposition at the Brera Academy of 1818, he made a long journey through Spain, the Netherlands and France for study purposes. The set of 13 landscapes shown at the Expositions at the Brera in 1831 proved a great success with the public and critics alike, not least due to the fame achieved in Paris with works exhibited in the Salons, commissions from Louis Philippe of Orleans and the award of a gold medal in 1830. He returned to Milan in 1832 and devoted his energies to urban views characterised by an interest in the events of contemporary life and an atmospheric form of portrayal in evident competition with Giovanni Migliara. Landscape came to predominate as from 1835 with subjects drawn from the Lombard countryside and lakes. The focus on poor and humble aspects of life formed part of the artist’s fundamental naturalism and coincided with a moralistic approach derived from the novelist Alessandro Manzoni. Crucial importance attaches in the artist’s mature period to his trip to Rome and Naples in 1838–39. Among his pupils or painters influenced by Canela were Felice Giuseppe Vertua, Constantino Prinetti, and Giovanni Renica. His son, Giuseppe Canella the Younger (Venice, 1837 - Padoa, 1913), was also a painter.
Relationship Network
Fellow student
Influenced
Parent child
Siblings
- Carlo Canella Unknown
Artworks by this artist (50 total)
- Le Théâtre de l’Ambigu-Comique et le boulevard Saint-Martin 1830
- View of the church Saint Jean Sainte-Croix in Paris 1829
- Küstenlandschaft bei aufgehendem Mond 1840
- Le Palais Bourbon et le Pont Louis-XVI (pont de la Concorde) 1826
- Paseo Del Prado, Madrid 2
- The Escorial
- Scene of Italian Folk Life
- Venice, A View of Riva degli Schiavoni with Ponte della Paglia
- View of the Convento de Los Agustinos Recoletos, Madrid
- Le marché aux fleurs, la Tour de l’Horloge, le Pont au Change et le Pont-Neuf 1832
- View Of Rouen 1831
- The Basilica of Torcello and Santa Fosca, Torcello, Venice
- Vue de la Calle de Alcalà avec la fontaine de Cybèle et la porte d’Alcalà, Madrid
- Paris, rue de la Paix, la place Vendôme à l’arrière-plan 1830
- La rue de Castiglione 1829
- Paris, view of the boulevard Montmartre
- Intérieur de l’église Saint-Jean-Saint-François 1829
- L’Hôtel de Ville et la place de Grève, vus de l’Ile de la Cité 1828
- Paris, Vue de la Passerelle des Arts et du Louvre 1830
- La rue de la Paix 1829