Gustav Heinrich Naecke
German Romantic painter of religious themes
Gustav Heinrich Naecke was a German painter. Naecke was the son of the Royal Saxon Court Councilor and Oberamtmann Johann Gottlieb Naecke, who was transferred to Dresden in 1785. His father actually wanted him to become a lawyer, but Naecke was able to enroll in the Dresden Art Academy in 1803. There he took private lessons from Cajetan Toscani (1742–1815). Others also noticed his talent, such as the teachers Joseph Grassi and Ferdinand Hartmann. His first major exhibition was the Dresden Art Exhibition of 1808. In 1811 he also showed his work “Faust and Gretchen” in Dresden, with which he began a series of Faust paintings. In 1817 Naecke went to Italy with a royal grant, where he found himself in the circle of the painter Friedrich Overbeck. Here he painted frescoes in the Villa Massimi, with representations from Dante's Inferno. On behalf of Naumburg canon Immanuel Christian Leberecht von Ampach, the painting Christ, appearing to the disciples for the last time, was created in 1824/25, also peace be with you for the Christ cycle in Naumburg Cathedral. Naecke returned to Dresden in 1825 to teach as a professor at the art academy. In the last years of his life he was confined to his room by a severe ailment, where he died in 1835.
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Artworks by this artist (40 total)
- Saint Paul
- Vertreibung aus dem Paradies
- Sitzende Gestalt nach rechts mit geflügeltem Amorknaben
- Rumpelstiltskin at the Spinning-Wheel and the Dwarf early 19th century
- Madonna mit dem Evangelisten Lukas und der Heiligen Cäcilia
- Niederkniende Frau nach rechts
- The three Fates
- Rescue of Moses
- Dante meets Beatrice
- Studienblatt; Junge Frau, einen Krug ausgießend
- Studienblatt; Junge Frau, einen Krug tragend
- Am Ostermorgen; Die heiligen Frauen, Maria und Johannes am offenen Grabe Christi
- The three Fates 3
- A Seated Man Nude and then Clothed 1820s
- Three Marys at the Grave
- Bildnis Johann Joseph Schweigart
- Studienblatt; Frauen bei der Handarbeit, ein sitzender männlicher Akt sowie weitere Figuren
- Studienblatt; Ein Liebespaar, die Frau zupft das letzte Blüttenblatt aus
- Drei Hirten mit Schafen und Ziegen an einer Baumgruppe sitzend ca. 1821 [-] 1823
- Studienblatt; Zwei Frauen mit Krügen an einem Brunnen