Hans Rottenhammer
Pioneered small, finished German-Italian cabinet paintings
Johann Rottenhammer, or Hans Rottenhammer, was a German painter. He specialized in highly finished paintings on a small scale. He was born in Munich, where he studied until 1588 under Hans Donauer the Elder. In 1593-4 (and perhaps earlier) he was in Rome, and he then settled in Venice from 1595-6 to 1606, before returning to Germany and settling in Augsburg, working also in Munich. He died in Augsburg, apparently in some poverty, and according to some sources an alcoholic. In Venice he gained a reputation for small highly finished cabinet paintings on copper, of religious and mythological subjects, combining German and Italian elements of style. In particular he combines the landscape tradition of the North with the compositional and figure styles of Tintoretto and Veronese. While in Venice, Rottenhammer made a copy of Albrecht Dürer's painting Feast of the Rosary, until the 19th century in the possession of the Grimani family in Venice, but since considered missing. He was the first German artist to specialize in cabinet paintings. In Rome he knew the earlier members of the Bamboccianti, a circle of Northern artists (before the name itself arose), and remained in regular contact with Paul Bril, a Flemish artist living in Rome, sending him plates with the figures painted on for Bril to supply the landscape, according to a dealer's letter of 1617. He also collaborated with Jan Brueghel the Elder in a similar way. He was commissioned in 1600 to paint a Feast of the Gods for Emperor Rudolph II (now Hermitage). A good example of his early style, in which he approaches Tintoretto, is his Death of Adonis in the Louvre. Once back in Germany, he worked on larger altarpieces and decorative schemes for palaces, including the Munich Residenz and Schloss Bückeborg(Goldener Saal), more in the style of Northern Mannerism than his Italian work. He is believed to have employed Adam Elsheimer as an assistant in 1598 or 1599, and no doubt gave Elsheimer an introduction to Bril; when Elsheimer moved on to Rome he and Bril became close friends. Two drawings by Rottenhammer (now in Copenhagen) belonged to Elsheimer, and have an inscription noting they were a gift from Rottenhammer. Elsheimer's mature paintings are all small and on copper, and continue to develop Rottenhammer's synthesis of German and Italian styles, and use of landscape. Among his noted works are those painted for Emperor Rudolph II of Austria: Nativity (1608), Battle Between Centaurs and Lapithæ, and four others, in the Vienna Museum.
Relationship Network
Master student
- Hans Donauer the Elder Master
- Adam Elsheimer Student
Friend
Influenced
Artworks by this artist (37 total)
- Virgin and Child with young John the Baptist and Saint Catherine 1604
- Groteske Gestalten sowie zwei Kinderfiguren, vulgäre Handlungen ausführend 1588
- Hercules med Telephosbarnet
- The Kiss of Judas
- Allegorie, eine Art christlicher Herkules auf dem Scheideweg
- Diana Surprised at her Bath after 1610
- Suffer Little Children to Come Unto Me 1607
- The Descent of the Holy Ghost late 16th-early 17th century
- Christ And The Woman At The Well
- The Fall of Man 1606
- Rape of the Sabines 1600
- Venus and Cupid 1596
- The Marriage at Cana 1579 - 1625
- The Fall of Phaeton 1604
- Venus and Mars 1604
- The Judgment of Paris 1597
- Assumption of Mary 1599
- Die Heilige Katharina mit der Palme und dem Schwert, oben in den Wolken Maria mit dem Jesuskind und Engeln
- Minerva and the Muses c. 1610
- Madonna and child surrounded by angels