Ivan Ivanec
Documented Ukrainian military history through art
Ivan Ivanec was a Ukrainian painter, graphic artist and art critic. His father, I. Ivanec, was a priest; his mother, M. Roshkevych, a writer. He studied painting in the Lviv studio of S. Batovskyi-Kachur (1912-1914). At the outbreak of World War I, he joined the ranks of the Sich-Riflemen and later became a Lieutenant in the Ukrainian Galician Army. He was a founding member (together with Yu. Butsmaniuk, P. Kholodnyi, Jr., O. Kurylas, Yu. Nazarak, and L. Perfeckyi) of the Press Section of the Ukrainian Sich-Riflemen and illustrator for their publication Chervona kalyna [Red Guelder-Rose Bush] and others. He created cycles of drawings that documented the battle lines of the Sich-Riflemen, their underground lifestyle, and scenes of warfare. In 1922, he was held as a prisoner of war in Liberec, Czechoslovakia, with other soldiers of the Ukrainian Galician Army. He Participated in the cultural-artistic exhibitions of the internment camps organized in Josefov, Czechoslovakia, and worked on the journal Skytalets [Pilgrim]. After the war, in Prague, he studied at the Ukrainian Studio of Plastic Arts with I. Kulec and S. Mako (1923-1927) while concurrently completing a law degree at Charles University (1926). He moved back to Lviv and lived there from 1927-1944. He joined ANUM, participated in exhibitions of the Lviv Professional Union of Plastic Artists (1932-1939), and organized the “Memorial Exhibition of the Ukrainian Sich-Riflemen” (Lviv, 1934). After joining SUOM, he served twice as its head (1942, 1944). He was appointed Director of the Lviv Picture Gallery from 1942 to 1944. In 1945, he left Lviv for Krakow, only to be arrested by the NKVD and sent to Siberia. In 1952, the Soviets ordered destruction of 720 of his works housed in the National Museum in Lviv. Surviving works can be found in museums and private collections in Lviv, Slovakia, the Czech Republic (Prague, Ostrava), and the United States.
Artworks by this artist (168 total)
- Karykatura – dwaj żołnierze austriaccy 1914-1920
- Studia postaci do sceny rozstrzelania 1914-1930
- Trzej ułani austriaccy na koniach 1914
- Pejzaż letni z koniem i krowami na pastwisku
- Ułan niemiecki z koniem 1914
- Ludzie siedzący w schronie 1944
- Studium portretowe – głowa mężczyzny 1926-1946
- Garbarz przy pracy 1915-1938
- Popiersie szczupłego mężczyzny 1944
- Studium postaci młodej kobiety (aktorki) w stroju historycznym stojącej w Przedpokoju sali Stołowej Pałacu w Podhorcach 1940
- Mężczyzna w kontuszu z karabelą 1940
- Ułani niemieccy na koniach 1915
- Studium portretowe oficera Legionu Ukraińskich Strzelców Siczowych (1914-1920) 1915
- Studium postaci starej kobiety 1942
- Popiersie młodej kobiety 1944
- Studia trzech zabytkowych krzeseł 1940
- Pokój Żółty w Pałacu w Podhorcach 1940
- Pejzaż z drzewami i zespołem architektonicznym za murem 1930-1944
- Prace polowe na wsi
- Studia dwóch mężczyzn 1942