Jacob Jordaens
Leading Flemish Baroque painter of genre scenes
Jacob (Jacques) Jordaens was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations. In fact, except for a few short trips to locations in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. However, he is best known today for his numerous large genre scenes based on proverbs in the manner of his contemporary Jan Brueghel the Elder, depicting The King Drinks and As the Old Sing, So Pipe the Young. Jordaens’ main artistic influences, besides Rubens and the Brueghel family, were northern Italian painters such as Jacopo Bassano, Paolo Veronese, and Caravaggio.
Relationship Network
Master student
- Hendrick Berckman Student
- Jan Boeckhorst Student
- Johann Ulrich Mayr Student
Influenced by
- Peter Paul Rubens Source
- Jan Brueghel the Elder Source
- Jacopo Bassano Source
- Paolo Veronese Source
- Caravaggio Source
Influenced
Artworks by this artist (130 total)
- Job ca. 1620
- The Conversion of Saul with Christ and the Cross c. 1645-47
- Holy Family with St. Anne ca. 1617
- Triumph of Frederick Henry, Prince of Orange 1651
- Susanna And The Elders
- The King Drinks 1640
- Man Kneeling, Facing Right 1630-1635
- Moses Striking Water from the Rock 1645-1650
- Design for a Wall Decoration (recto) 1640-1645
- Suffer the Little Children to Come Unto Me 1615-16
- The Fruit Seller
- The Adoration of the Shepherds c. 1616-1617
- An Allegory of Fruitfulness 1620 - 1629
- The thinker or Fauna in meditation
- King Candaules of Lydia Showing his Wife to Gyges 1646
- A Bearded Man And a Woman With a Parrot; ‘unrequited Love’
- The Entombment
- As the Old Sang, so Pipe the Young 1638
- Mercury, Argus and Io
- The Adoration of the Shepherds ca. 1653