James Abbott McNeill Whistler
Pioneered art for art's sake
James Abbott McNeill Whistler was an American artist active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and a leading proponent of the credo "art for art’s sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler’s Mother, is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with leading artists and writers.
Relationship Network
Master student
- Charles Gleyre Master
- Ernest Haskell Student
- Florence Lundborg Student
- Frederick Carl Frieseke Student
- Robert Walter Weir Master
- Walter Greaves Student
- Walter Richard Sickert Student
Fellow student
Influenced
- Alice Schille
- Bernard Boutet de Monvel
- Bertha Jaques
- Gustave Leheutre
- Henri Evenepoel
- Irving Ramsay Wiles
- James Pryde
- John Quincy Adams
- Józef Pankiewicz
- Maurice Prendergast
- Maurice Prendergast
- Norman Garstin
- Olof Sager-Nelson
- Paul Fordyce Maitland
- Philip Wilson Steer
- Robert Charles Goff
- Willem Witsen
Artworks by this artist (579 total)
- Nocturne; Battersea Bridge 1872-1873
- Nocturne 1879-1880
- Nocturne in Blue and Silver
- Old Battersea Bridge 1878
- Wapping 1860-1864
- Old Battersea Bridge 19th century
- Old Battersea Bridge 1879 and 1887
- Early Morning, Battersea (Kennedy 75) circa 1859
- The Suede Gloves (Les Gants de Suéde) 1890
- 16 pastels of Venice.
- Walter Sickert (1895) 2
- Nocturne in Blue and Gold; Valparaiso 1866-ca. 1874
- Cuisine a Lutzelbourg 1858
- Symphony in Grey; Early Morning, Thames 1871
- The Wine Glass 1858
- Confidence in the Garden 1894
- La salute; Dawn 1879
- The Dressmaker’s Shop ca. 1897
- The Riva, Venice 1879-80
- Alexander Arnold Hannay c. 1896