James Seymour
Founder of English sporting art
James Seymour was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset. Jolliffe's love for horses and art proved great, and his will would later establish an equestrian statue in Hampshire. In time, Seymour's work and fame had spread throughout Europe and America. Though ultimately his love for horseracing led to his financial ruin, Seymour still ranks among the most important early sporting artists, together with John Wootton and Peter Tillemans being considered one of the three founders of the sporting school.
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Artworks by this artist (84 total)
- Smiling Tom, Saddled and Bridled; Standing, Facing Left
- A Gentleman on a Managed Horse Riding Out With a Lady
- A Horse Lying Down
- Hind Legs and Tail of a Horse
- One of Four Portraits of Horses, a Chestnut Racehorse Exercised by a Trainer in a Red Coat- gallopi…
- Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter
- Sir Roger Burgoyne Riding ‘Badger’
- Old Fox held by a Groom
- Sketches of a Gelding
- Flying Childers and Grooms
- Coursing – After the Kill
- A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
- Rider With a Draw-Rein, Walking to Left
- A Rider in Armor, and Two Horses Lying Down
- Cato, A Bay Racehorse, With A Groom In A Landscape 1750
- Jumping the Gate
- Saddled Horse Facing Left
- Saddled Horse, Walking to Left
- Two Saddled Horses in Stalls in a Stable
- A Hare Running, with Ears Laid Back