Jan Anthonisz van Ravesteyn
Dutch court portraitist
Jan Anthonisz van Ravesteyn was a successful portrait painter to the Dutch court in The Hague. Van Ravesteyn was born in The Hague. It is unknown who taught him how to paint, but he was a follower of the Delft portrait painter Michiel Jansz van Mierevelt. Van Ravesteyn is mentioned there in the city archives 1597. From 1598 until his death he lived in the Hague, where in 1598 he became a member of the Guild of St. Luke of the Hague. In 1604 he married Anna Arentsz van Berendrecht and in the same year he was mentioned as a good painter by Karel van Mander (though his earliest dated works are from 1611). In 1608 he bought a house on the Molstraat and in 1628 he moved in the Molstraat. In 1640 his wife was buried and in the same year his daughter Marie married one of his pupils, the painter Adriaen Hanneman. In 1654 he moved to the Nobelstraat next to the house of his daughter. In 1656 he left the guild with a group of dissatisfied painter friends and was one of the founders of the Confrerie Pictura. He was a Catholic and his name occurs often as a witness in the records of the church in the Molstraat, such as for the marriage of his daughter Agnes in 1641 with Willem van Culemborgh. His portrait was painted by Sir Anthony van Dyck and he produced Schutterstuk works. His workshop produced many portraits for the royal house of Nassau and he competed with Miereveld for several commissions. Van Ravesteyn was in turn, the teacher of Dirck Abrahamsz., Leendert Barthouts, Johannes Harmensz. Borsman, Aelbert Dircksz. Coeppier, Pieter Craen, Jacob Dirksz. van den Enden, Fransise de Goltz, Adriaen Hanneman, Barent Jansz., Thomas Ouwater, Clement Ram, Jan Rassenbourch, Frederick Sonnius, Dirck Verlaer, Jan Pous Voet and Pauwels Willemsz.
Relationship Network
Master student
- Michiel Jansz van Mierevelt Student
- Adriaen Hanneman Student
- Jacob Dirksz. van den Enden Student
Fellow student
Friend
Influenced by
Artworks by this artist
- Junger Mann mit Schnurrbart und umgelegtem gesticktem Kragen nach rechts
- Portrait of a man 1608
- Portrait Of A Gentleman Wearing A Black And Gold Embroidered Doublet And A White Ruff 1622
- Portrait of a Woman 1620s
- Portrait of a Woman 163
- Portrait of a Man with a Ruff 1631
- Portrait of a Gentleman 1623
- Portrait of Ernestine Yolande (1594-1663),Princess of Ligne after 1618
- Portrait of a Man c. 1630 - c. 1635
- Portrait of an Officer c. 1610 - c. 1620
- Portrait of a Man, possibly Jan Doublet (1580-1650) 1634
- Portrait of an Officer 1612
- Portrait of Sir John Burroughs (1587-1627) c. 1620 - c. 1623
- Junge Frau mit Häubchen, weißem glattem Kragen und mit Knöpfen besetztem Kleid nach links
- Judith Langley,
- Portrait Of A Lady In A White Lace Ruff And Cap 1613
- Portrait of Catharina Belgica 1617
- Half-Length Portrait of a Lady 1622
- Portrait of a Woman 1635
- Portrait Of Cornelia Grijp, The Coat-Of-Arms Of The Grijp Family Weaved In Her Collar